Music Production

**Singers, musicians, hip hop artists, rappers, sound engineers, producers, filmmakers networking and Open Mic. Plus always Wednesdays Live Music from our very own band Satori Wave!**

**Dead Product Society \| After Work Drinks** Come along, bring a friend/colleague or two and join us for a relaxed evening of informal product and tech chats over a few drinks and doughnuts. We aim to connect everyone without awkwardness or LinkedIn spiel, and value good conversation over boring presentations. **Who is welcome?** Product Managers, CEOs, UX/UI Designers, Developers, Scrum Masters etc. We welcome anyone who works in, with or wants to break into product. *Note: We intentionally keep our After Work Drinks on the smaller side to allow for more in-depth conversations.* **The Bike Shed** We'll be hanging out in the lounge area (behind the area with all the tables, next to the store). \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **Dead Product Society** Dead Product Society is a collective of like-minded professionals sharing real-talk and joining forces to navigate the twists and turns of the product world. Our down-to-earth community is for anyone who works in, with or wants to break into product teams regardless of their background or experience. **Our Sponsors** Shout out to our generous sponsors at Waggel Pet Insurance; Lifetime pet insurance, simplified. With their support we are able to host these events for you and create a space for those important, honest conversations.

Aerial Relaxation Pods… with Live Ambient Music! - London's Deep Relaxation Experience - Aerial Relaxation Pods - Lift Your Spirit Please watch our video to give you a taste of the experience: Our Aerial Relaxation Pods video on Youtube: https://www.youtube.com/watch?v=yxlR9u44llw London's first multi-sensory, aerial relaxation experience with Live ambient music, aromatherapy and featuring our beautiful sky-blue silky Aerial Hammocks. "An oasis of calm in our busy lives." Two sessions per evening on Thursdays: IMPORTANT: Please note your space is only confirmed once booked through Eventbrite. 7:15-8:30pm book here: https://www.eventbrite.co.uk/e/84883457707 8:45-10pm book here: https://www.eventbrite.co.uk/e/84878729565 COST: 1 x ticket £17 (£18.92 inc ticket fee) Offer (limited availability) 2x tickets £28 (£30.77 inc ticket fee) "Words are inadequate to express the uniquely nurturing experience I had during your Aerial Relaxation Pod class... and the music was amazing! The feeling of being securely wrapped in a silk hammock from head to toe, suspended in the air, slowly rocking, with the crystal bowls and ambient music created a sublime and profound atmosphere. It was as if I was in a cocoon of total support, allowing peace to flow into my entire being." - Alison COVID SAFETY GUIDELINES & PREVENTION MEASURES: - If you are showing any symptoms, please do not attend. Any participant repeatedly coughing in the space will be asked to leave immediately. - You can wear a face-covering during the sessions if you choose to. - Please come already dressed in comfortable clothing ensuring your knees, armpits and torso are covered, and with a bag for your belongings. There are bathrooms at the venue but no changing rooms. - We will provide antibacterial wipes and hand sanitisers at the venue. Please wash your hands regularly and use the hand sanitiser supplied upon entering the venue. - All touch hotspots will be regularly cleaned with disinfectant between each session. - We ask that all participants keep at least 1m physical distance at all times. Any participant repeatedly breaching this distance will be asked to leave. - We will provide clean lavender eye pillows and covers will be changed between each session. You are welcome to bring your own eye pillow/ eye mask. - All hammocks will be disinfected with antibacterial spray between each session. - Blankets and cushions: we will provide separate sets for each session. You are welcome to bring your own blanket & cushion. - The venue has skylights that will be opened to allow more airflow in the space. PLEASE NOTE: 1) Strictly no latecomers! - Sorry, please arrive on time! Unfortunately, if you are more than 10 minutes late, you will not be allowed entry, (and there can be no refunds if you are more than 10 minutes late, very sorry!) as we need to make it a calm & peaceful space for people who are already here. 2) Please only arrive 5 minutes before the start of the session, as there is no waiting room. 3) No Refunds. No refunds are available as we need to have enough time to fill the space left. You are welcome to pass on your ticket to a friend, colleague or family member. 4) Clothing: Please wear a sleeved shirt that covers the armpits and leggings or yoga trousers that cover your knees. Wear form-fitting clothing. Please do not wear baggy clothing as they can snag and catch on the sling’s fabric causing accidents. Ensure that your clothing is "zipper free" and remove all jewellery (body piercings, watches and hair clips. These items can snag and damage the silk hammocks.

We are back! This is going to be a monthly IN PERSON meet up in London. A very big thank you goes to Accurx who is hosting us in their amazing Shoreditch offices. This will include access to facilities including coffee! 😻☕️ **Want to know more? 👇** As with all CoffeeOps, this is an interactive, chatty, build your own adventure type of meet-up. Instead of booking in experts to *learn* *from*, we gather a group of practitioners to ***learn*** ***with***. We have been running for over 4 years now and often get feedback that this is the most useful meetup people join! The event is approximately 90 minutes and always starts by brainstorming topics to discuss. The group then votes on the most relevant/interesting to them and we then cycle through the topics trying to discuss each deeply, but in a time bound slot. To get an idea of topics, you can check out our remote board [here](https://easyretro.io/publicboard/h404NF84Uje4tCcxpJdHr4Ycs9B3/a4a35d2b-181b-409b-832e-a729be1af79c). The general gist is anything is fair game, though we tend to revolve around software delivery and definitely lean towards the more Ops-y or DevOps-y side of things.

PHP London Pub Social – April 9th, Jack Horner, Tottenham Court Road Join us for an informal PHP London pub social at the Jack Horner on Tottenham Court Road! We've got a reserved space from 6:30pm to 8:30pm on Thursday 9th April - a mix of seating and standing with a few tables. This is a relaxed, no-agenda evening — just good conversation with fellow PHP developers over a drink. Whether you're a long-time community regular or coming along for the first time, all are welcome. Places are limited.

\*\*Fadi K & F K Dance team - present The best Salsa Night the UK has ever seen. **With FREE INTRO SALSA CLASS at 7:00PM** & Free Entry All Night !! Classes 7:00 PM - FREE INTRO TO SALSA CLASS This Class is an introduction to our regular 2 hours salsa classes run every Thursday 7:30 & 8:30 **CROSS BODY SALSA** 7:30 Level 1 & Level 2/3 8:30 Level 1, Level 2 & level 3/4 Beginners / improvers / intermediate **Teachers** ▪️Fadi K & Cristina Varga ▪️Camy Marina ▪️Tiffany Salsera ▪️Chris diamond ▪️F K Dance Team & Guests on Rotation DJs ▪️ Fadi K & Guests on rotation PRICES £10 FOR 1 CLASS £15 FOR 2 CLASS A night brought & created by dancers to the dancers. Great dance floor / Happy hour / ultimate location & late party till 11am. More info 07907945534

Amplify Her is a supportive community dedicated to empowering women in the music industry. Through live events, workshops, songwriting camps, and masterclasses, we create spaces where artists, songwriters, and industry professionals can connect, learn, and grow together. Our **masterclasses and educational sessions are exclusively available to Amplify Her members**, giving our community direct access to industry experts, valuable knowledge, and professional development opportunities. If you’d like to take part in sessions like this one and become part of our growing network, you can join the **[Amplify Her membership](https://www.amplifyher.co.uk/membership "https://www.amplifyher.co.uk/membership")** and gain access to our masterclasses, community events, and resources designed to support your journey in music. **About PRS for Music** PRS for Music is a UK organisation that represents songwriters, composers, and music publishers. Its primary role is to **collect and distribute royalties** when music is performed in public. This includes music played on the **radio, TV, streaming services, live concerts, venues, shops, and online platforms**. PRS ensures that the people who write and compose the music are **fairly paid whenever their work is used**. By licensing music to businesses and organisations, PRS collects these fees and **pays the royalties directly to its members**, helping creators earn income from their songs. **During the session**, PRS experts will guide us through three essential topics, each explored in depth with time for questions and discussion: 🎤 **Live Revenue** Learn how songwriters and performers earn money when their music is played live. This section will explain how live performances generate royalties, how setlists are reported, and how to make sure you’re receiving the income you’re entitled to. 📲 **Money from Streaming** Streaming has transformed the music industry, but understanding how revenue flows can be confusing. This segment will explore how royalties from streaming platforms work, how payments are calculated, and what artists can do to maximise their earnings. 🎧 **An Introduction to PPL** This introduction to **PPL** will explain the role of neighbouring rights and how performers and recording rightsholders get paid when their recordings are broadcast or played in public. [Make sure to grab your ticket on our website, so that you receive a QR code to use upon arrival.](https://www.amplifyher.co.uk/event-details/how-to-maximise-your-music-income-with-prs) You can join this event for **free with an Amplify Her Membership for £11.99/month** or get a ticket for £25 Get your membership here: [https://www.amplifyher.co.uk/](https://www.amplifyher.co.uk/ "https://www.amplifyher.co.uk/") **Follow us on:** [https://www.instagram.com/amplify_herLive/](https://www.instagram.com/amplify_herLive/ "https://www.instagram.com/amplify_herLive/") [https://www.amplifyher.co.uk/](https://www.amplifyher.co.uk/ "https://www.amplifyher.co.uk/") [https://www.linkedin.com/company/amplifyher/](https://www.linkedin.com/company/amplifyher/ "https://www.linkedin.com/company/amplifyher/")

I am proud to announce that we having our jam at the Temple Of Art & Music in Elephant & Castle!! Chord Flow: A structured improvisation session where players explore a shared chord progression and key, creating music organically in the moment. Lineup (on stage together): • 2 guitarists • 1 bass • 1 drummer • 1–2 singers • 1 additional instrument (sax, trumpet, percussion, etc.) How It Works: 1. A simple chord progression and its key are written on a whiteboard opposite the stage. 2. The group has 5 minutes on stage to explore the progression together. 3. Tempo, time signature, style, and chord changes are left open — the music’s direction is determined by the group. 4. When the timer starts, the music begins. Musicians respond to each other in real time, building the flow organically. 5. No planning or discussion — focus on listening, reacting, and creating a shared musical experience. 6. After 5 minutes, the group rotates and a new set of musicians begin. The Temple Of Art and Music is a live music venue and bar in Elephant & Castle so I encourage anyone attending to bring friends as it will be great fun for them even if they are not playing. The venue has a PA system, drum kit, mics and guitar/bass amps. There is no guarantee that there will be cymbals or drum accessories with the drum kit at the venue. Drummers please being your own if you can. Like all our other jams it will be a chance to jam with other musicians playing the music that you love in a gentle environment with no judgement and no pressure. This jam also uniquely gives the opportunity to play in front of a crowd! Tickets are **£10 online** message us let us know what instrument you play and we will confirm if there is space and send you the Eventbrite link for the jam. Please do not hesitate to contact me for more information about this jam and London Jam Sessions. At London Jam Sessions we have an active community on WhatsApp where we all discuss the upcoming jams and future events. Everyone in the community is encouraged to ask questions and bring forward new ideas. Dm me and I can add you to our Whatsapp group.

**Update: full for all instruments (spot remains for vocals)** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Apr 11)** * All of me in C (warm up) (Sonny Stitt) https://www.youtube.com/watch?v=psUdIsccV9M * Little Sunflower in Dm (Ray Blue) https://www.youtube.com/watch?v=eLu-rl2hNgo * Girl from Ipanema in F (Garbis Dedeian) https://www.youtube.com/watch?v=UM3pp8bEPFE * Too close for comfort in C (Getz, Mulligan) https://www.youtube.com/watch?v=t1LFemXQ2sI (try harmonising lines) Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat Apr 18)** * Freddie freeloader in Bb (warm up) (Dexter Gordon) https://www.youtube.com/watch?v=CiLuG_PFsfI * Song for my father in Fm (George Benson) https://www.youtube.com/watch?v=Xo6C2OkOVGY * Adam's Apple in Ab (learn comping riff) (Wayne Shorter) https://www.youtube.com/watch?v=0wnu1Y7lTVc * Just friends in G (Cohen, Bartley) https://www.youtube.com/watch?v=Rq4pW6GgIMQ **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

So the eighteenth [Musical Comedy Awards](https://www.musicalcomedyawards.com) competition has reached its final stage! Join us for a riotous celebration of the UK's best up and coming musical comedians to find out who will win! [Tickets are available now](https://wegottickets.com/musicalcomedyawards/f/16922) at a very reasonable price, and you can save money using discount code MCASPECIAL26. Featuring the following 12 amazing finalists: * Dru Cripps * Tom Veck * Jonny Bennett * Will and Noah * Eoghan Collins * Vinny Shiu * Joe Da Costa * Sam Hickman * Sophie Banister * Aadar Malik * Ben Coleman * Chris Iskander There will also be a performance from our Best Newcomer winners, John & Christian! "Hilarious surprises and original songs” - Voicemag, “Deliciously sharp wit” - There Ought To Be Clowns The show will be headlined by the sensational Sugarcoated Sisters! They are an award-winning musical comedy double-act and real-life siblings from Hertfordshire. With over 3 million online followers they are among the UK’s most-watched musical comedians, captivating fans with their unique and untamed edge. From women's health and dating to politics and UK culture, they cover it all in slick musical sketches. Chloe has bipolar type 2 and Tabby has type 1 diabetes, which often features in their material. Their original debut show Bittersweet was a smash-hit at the Edinburgh Festival Fringe and Soho Theatre, and was featured on BBC Radio 4, BBC Click, BBC Radio 5 Live, BBC Scotland, Heart Breakfast Show and more. ★★★★★ “Talented, creative and hilarious” - Entertainment Now ★★★★★ “Flawed, fearless & fabulously feisty... these comedy queens cavort across musical genres, dropping punchlines & truth bombs.” - Fringe Biscuit ★★★★ “from hip-hop to jazz…their lyrics are clever, funny and clearly drawn from life” - The Scotsman ★★★★ “A showcase of true musicianship” - Fest Mag “Our first ever live gig as Sugarcoated Sisters was at the MCAs heats in 2022. And our third ever live gig was the MCAs final, where we were absolutely thrilled to win Best Newcomer! The MCAs are where our live journey began, so we are honoured to return for this full circle moment." Now in its 18th year, the WeGotTickets Musical Comedy Awards is an annual competition to support, promote, expose and celebrate the best emerging musical comedians in the UK. If you are a fan of musical comedy acts such as Tim Minchin, Flight Of The Conchords and Flo & Joan, you'll love this show! Our official patron since 2025 is Bill Bailey MBE. Over the years, the MCAs have provided a launch pad to now established and emerging stars of the genre such as Frisky and Mannish (2009 Finalists), Abandoman (2010 winners), Rachel Parris (Runner Up 2012 and star of The Mash Report), Mae Martin, Jazz Emu, Katie Norris and many more. The MCAs have created a thriving independent platform to celebrate the artform that is musical comedy. Other acts that have featured as headliners in our shows include David O'Doherty, Bo Burnham, Rubberbandits, Mitch Benn, Jay Foreman, Pippa Evans, Tom Basden, Isy Suttie, Ginger & Black, Earl Okin, Flo & Joan, Wilson Dixon, Jo Neary, Mr B. The Gentleman Rhymer, Sarah-Louise Young, Adams & Rae and many more. [RSVP on the Facebook event](https://www.facebook.com/events/1758747551423785).

**Update: full for all instruments (spot remains for vocals)** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Apr 11)** * All of me in C (warm up) (Sonny Stitt) https://www.youtube.com/watch?v=psUdIsccV9M * Little Sunflower in Dm (Ray Blue) https://www.youtube.com/watch?v=eLu-rl2hNgo * Girl from Ipanema in F (Garbis Dedeian) https://www.youtube.com/watch?v=UM3pp8bEPFE * Too close for comfort in C (Getz, Mulligan) https://www.youtube.com/watch?v=t1LFemXQ2sI (try harmonising lines) Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat Apr 18)** * Freddie freeloader in Bb (warm up) (Dexter Gordon) https://www.youtube.com/watch?v=CiLuG_PFsfI * Song for my father in Fm (George Benson) https://www.youtube.com/watch?v=Xo6C2OkOVGY * Adam's Apple in Ab (learn comping riff) (Wayne Shorter) https://www.youtube.com/watch?v=0wnu1Y7lTVc * Just friends in G (Cohen, Bartley) https://www.youtube.com/watch?v=Rq4pW6GgIMQ **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Exploring the musical archives with captivation at both a very young age and later as music radio presentator, club DJ & musicologist - I discovered only snippets of an estimated 97 million songs even though I went all the way back to the 17th century! If you love music, then you'll know it's not just entertainment but a spritual soulful experiene ("I hear my compositions as a single point of light, all I do is hold that point of light in my mind whilst I write it down" Wolfgang Mozart) So let's immense ourselves in our passion by enjoying music, singing, dancing with drinks in hand whilst broadening our music knowledge and exposure by discovering new material, artists and even genres at fun musically themed night out for passionate music lovers in the UK home of rock n roll - Camden of course! Contemporary or old - you must be passionate about music which means you will be prepared to talk about your favourite song(s) and or artist(s), influences and underlying reasons at ease. What is it that makes them stand out and unique? Does the song have personal relevance to you? Are the lyrics poetic or a philosophical masterpiece like in some old hip-hop or is it about the sound of the vocals or hypnotic melodies? Did the song (or artist) play a pivotal role in shaping political change & influence in society (yes some musicians have even died for their artform) or the evolution of new music genres, sub cultures and underground music movements today? Was Lennon & McCartney the greatest ever singer song writer combo or have you heard better? Who are the best all time music producers & song writers - Max Martin, Billy Joel, George Martin, Quincy Jones, Bernie Taupin, Dr Dre, Carole King? Did PWL records destroy the British music scene or contribute to it? We can also touch on influential music producers, labels, DJs and radio stations as well. Discussion on all elements of musicology and enablers is up for grabs. If you can - come prepared with links to samples (feel free to post youtube and other links in the comments section below) to demonstrate or be willing to sing/rap some lyrics so we can get an idea. Funky dance moves optional. =========RENDEZVOUS POINT ================= We will meet inside Amy Winehouse's local - the Hawley Arms. I'll be wearing Starwars lanyard and will share my number an hour before the event in the comments in case of issues finding us. We will spend about an average of 90 mins per bar. Lucas

Join our friends at Downstairs at 180 on Friday 10th April, as they host an intimate afternoon with one of the most formidable forces in jazz. Chuck Israels visits the U.K. for the first time since 1965 and will be hosting this one-off masterclass for musicians, jazz lovers and double bass players. Chuck Israels recorded with John Coltrane, Herbie Hancock, Stan Getz, Coleman Hawkins and Nina Simone to mention just a handful of artists. He was a key player in the Bill Evans Trio of the 1960s and recorded ten albums with the group. Don’t miss out on the opportunity to connect with this Grammy award winning bassist in the intimate setting of the 180 basement. Space is limited so book now! Tickets are priced at £12 and available from https://ticketlab.app/event/38123#/ Location: Downstairs at 180. 180 St. John Street, London EC1V 4JY PLEASE NOTE that this event is not organised or hosted by the London Jazz Guitar Society. Please direct any enquiries to the organisers through the ticketing link.

Join Voice Over Pros Of Ohio for an exciting morning of networking, and exploring opportunities in the world of voice acting. Whether you're a seasoned professional or just starting out, this event is perfect for expanding your network, learning how to start a VO business, and for honing your skills. Connect with fellow voice actors and VO experts, that will help you succeed in your voice over business. This event will feature discussions on professional development, entrepreneurship in the voice over industry, with tips for navigating the world of voice acting. Don't miss this unique opportunity to learn from others, collaborate with like-minded individuals, and take your voice over career to the next level. Join us Saturday, March 28, from 10am - 12pm and learn how to start or grow your voice over business. Let your voice be heard! The $10 fee covers refreshments and door prizes.

AI is changing how art is made. But when does it stop being your work and start being the machine’s? This month we're going to be doing a panel with with digital image, music, and written word artists, talking about at what point, while using AI in the creation process, does the work become not the artist creation? We encourage audience participation during this event that will be moderated by Chris Slee. Whether you’re deep in the field or just getting curious, come connect with others building and exploring AI in Columbus. Sponsored by [Transform Labs](https://www.transformlabs.com/services) Sign up also accessible via [Transform Labs Luma](https://luma.com/55umjqta)

**Important time note:** Please plan on arriving between 5:30 and 6:00 as the elevators lock after 6 and you'll need to message us and we'll need to come get you. The building address is 4450 Bridge Park The entrance is 6620 Mooney St, Suite 400 You will need to scan your ID at the door to get a visitor badge. **Abstract** GitHub Copilot is powerful, but what if you could scale from a solo AI assistant to an entire team of specialized agents working in parallel? This session introduces Squad: an open-source framework for multi-agent orchestration that lets you define teams of AI agents with specific roles, responsibilities, and expertise. We'll progress from Copilot basics to the Copilot CLI, explore how Agents add autonomy, and see how Instructions and Skills let you customize agent behavior. Then, the climax: a live demo where a Squad team of 3 agents (Lead, Developer, Tester) stands up and builds a working application in real-time, showcasing true multi-agent collaboration. Whether you're new to AI or exploring how to scale your use of Copilot, this session will show you what's possible when agents work as a team. **YouTube Link** TBD

Have you always wanted to check out a rave… but didn’t know where to start? This is your chance. Whether you're a seasoned headbanger or completely new, we’d love to have you out. On April 11, Jessica Audiffred is taking over Otherworld — and this is *not* your typical venue. It’s a massive immersive art space filled with surreal rooms, hidden passages, and interactive exhibits… and for this show, almost all of it is open. So you’re not just going to a concert — you’re stepping into an environment: 🎧 A high-energy bass set that you *feel* 🌀 A labyrinth of trippy, explorable art spaces 👯‍♂️ A group to go with so you’re not figuring it out alone You can lose yourself in the crowd, disappear into another room, find something completely unexpected, and then come back right as the drop hits. No pressure, no “right way” to do it — just explore, move, and take it in at your own pace. 📍 Otherworld, Columbus 🗓 April 11 🕙 Doors open at 10:15 PM (music does not start in the exhibit space until 10:30 PM.) If you’ve been even a little curious about what this scene is like, this is one of the most unique ways to experience it. RSVP if you’re in 👇 There’s no cost to attend with the group—just the event ticket for Otherworld. Tickets are $40, plus some fees 🙄. You can use code "BassBuds" or "Bangers" for $5 off, which makes it \~$43 out the door. 🔗 [https://otherworld.ticketspice.com/jessica-audiffred](https://otherworld.ticketspice.com/jessica-audiffred) This is being posted to Central Ohio Friends and Columbus Social Connection. Please only RSVP to one group.