Gifted Children

Francis Hutcheson (1694-1746) was a pivotal early figure of the Scottish Enlightenment, a movement which strongly embraced empiricism and concentrated on the study of human nature and the relationship of individuals and society. Born in Ireland to a line of Scottish Presbyterian ministers, Hutcheson was educated by dissenting Irish Presbyterians in Ulster before matriculating at the University of Glasgow, where he studied philosophy and theology. In 1719 he was licensed to preach in Ireland, but rather than adopting the more traditional views of his forefathers, he gravitated toward the tolerant and liberal “New Light” Presbyterianism. Instead of further pursuing the ministry for which he had trained, he put his efforts into founding a dissenting academy in Dublin—a successful venture that occupied him for the next ten years. While teaching in Dublin, he moved in intellectual circles, and it was there that he wrote the four early treatises—collected into two books, the *Inquiry* of 1725 and the *Essay* of 1728—that quickly established his reputation as a philosopher. On being appointed chair of moral philosophy at his alma mater, he left Ireland for Glasgow in 1729. Contemporaries described Hutcheson as a popular and animated professor—the first at Glasgow to deliver lectures in English rather than exclusively in Latin. His most famous student was Adam Smith (enrolled 1737-40). Hutcheson's influence on Scottish thinkers was considerable. With his emphasis on the primacy of feeling over reason in our moral perceptions, he inspired David Hume’s moral sentimentalism. His analysis of natural rights and property in the *Inquiry* (Treat. II Sect. VII) as well as in his later works directly influenced Smith. The Scottish school of common sense realism derived partly from Hutcheson's explication of moral sense theory. His influence also made its way to colonial America, where his works were included in college curricula beginning in the mid-1700s. John Adams and other signers of the Declaration of Independence are known to have read Hutcheson. In the *Inquiry*, he takes up Locke’s epistemology of sense perception and broadens it into a theory of the “internal senses”—faculties of perception as powerful as the commonly designated five external senses. Elaborating Lord Shaftesbury’s notion of a “moral sense” and the earl's analogy between beauty and virtue, Hutcheson divided his *Inquiry* into a discussion of the sense of beauty and of the paramount moral sense—both being internal senses which operate without depending on mediation by the will or reason. Like Shaftesbury and the philosopher Richard Cumberland, Hutcheson held a strong distaste for the Hobbesian worldview. In the vein of the former two, he promoted a vision of humans as naturally benevolent and innately interested in the welfare of others, maintaining that others’ good brings us no less pleasure than our own good. Notably, he also sowed the seeds of utilitarian thought with his phrase “the greatest happiness for the greatest numbers” (Treat. II Sect. III). **Main Reading** The reading below is available at the Online Library of Liberty: * The [Inquiry](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004), comprising the first two of Hutcheson's four early treatises (we are reading the 1726, or 2nd edition, of the book): read the [Preface](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_head_019) and Treat. I: Sections [I](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_051), [II](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_071), [III](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_088) (Art. [IV](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_101) is optional), ([V](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_109) is optional), [VI](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_137), [VII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_158), [VIII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_165); and Treat. II: [Intro](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_head_032) and Sect. [I](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_181), [II](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_205), [III](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_228) (Art. XI, XII until “Intention, foresight” optional), [IV](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_258), [V](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_275), [VI](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_296), and especially [VII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_324). * Hutcheson's lecture upon his appointment at Glasgow, “[On the Natural Sociability of Mankind](https://oll.libertyfund.org/titles/hutcheson-logic-metaphysics-and-the-natural-sociability-of-mankind#lfHutcheson_head_238)." The first 3 paragraphs, until footnote 10, are optional. * The beginning of the fourth treatise [Illustrations](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_label_230), Sect. [I](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_head_019), and Sect. [IV](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_label_296). Note that the ebook page on OLL can take a few moments to load. **Secondary resources** [IEP - Hutcheson](https://iep.utm.edu/hutcheso/) [SEP - Hutcheson](https://plato.stanford.edu/entries/hutcheson/) Liberty Fund: Editor’s [Intro to Inquiry](https://oll.libertyfund.org/pages/hutcheson-on-liberty-and-happiness). [SEP - Scottish 18th C. Philosophy](https://plato.stanford.edu/entries/scottish-18th/) [Wiki - Scottish Enlightenment](https://en.wikipedia.org/wiki/Scottish_Enlightenment) [Hutcheson and private property](https://www.adamsmithworks.org/documents/matson-hutcheson-property-virtue-march-2022) Routledge: [1](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/life-and-works-43333), [2](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/the-foundations-of-morality-and-the-moral-sense), [3](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/practical-ethics-and-influence)

Think you aren't flexible enough for yoga? Afraid to get onto the floor? Living with physical aches or restricted range of motion? Then this is the perfect yoga class for you! Explore your body's strengths in a fun, supportive environment while maintaining and growing your range of motion, flexibility, balance, strength, and sense of peace. All are welcome in this therapeutic class. Come ready to try new things, laugh, ask questions, and support each other. **Please reserve your spot at www.piesfitnessyoga.com.** The session is offered both InStudio and OnLine. The Zoom link for the OnLine session will be emailed 15 minutes before class starts to those who are registered at www.piesfitnessyoga.com. **Sign up for sessions must be made at least 2 hours prior to class.** The address is 1322 Prince St Alexandria, VA 22314. Our entrance is located on the side of the building, parallel to West St. **Street parking is available and additional parking is located at Shiloh Baptist church, spaces 3,5,7,9**. The church is located across the street from the studio, on the corner of Duke St. and West St. Discount is available to seniors, teachers, students, emergency responders, and military. All can save by purchasing class packs.

15. Vers La Libération /542 end p. 600. 58 pages.

Dust off your dancing shoes and get ready for a night of vintage vibes! We’re heading to **Alfio’s La Trattoria** for an evening where the pasta is fresh, the wine is flowing, and the music spans five decades of hits. Whether you're here for the classic Italian comfort food or to cut a rug on the dance floor, **J Train** will be providing the perfect soundtrack from the 30s all the way to the 70s **Getting There & Staying Stress-Free** * **🚆 Metro:** Only **two blocks** from the Friendship Heights Red Line stop! * **🚗 Parking:** Free valet parking is available, plus plenty of easy street parking nearby. * **📞 Reservations:** Highly recommended! Call **301-657-9133** to snag your table.

This Saturday, we celebrate more than a film premiere. We celebrate the power of storytelling, the strength of family bonds, and the love that connects us all. GYPASO. May 16th. 1:00 PM. Greenbelt Cinema. See you on the red carpet.

Join us for the world premiere of the musical ***Aguardiente: Where Magic Transcends Borders,*** commissioned by GALA and conceived by Helen Hayes multi-award winner Luis Salgado from Puerto Rico and Colombian artist Daniel Alejandro Gutiérrez. Blending Afro-Caribbean rhythms such as bomba, currulao, and cumbia, and Gabriel García Márquez’s magical realism, Aguardiente is a bold new musical about the messy, urgent act of making art in a world on fire. As a group of artists race to finish a new show, their rehearsal room becomes a battleground of ideas, ambition, and lived experience—especially for a composer whose undocumented status makes the dream of success anything but simple. As the team wrestles with what story they should tell, the line between reality and imagination begins to blur, until—like two currents meeting in the same river—the artists’ own struggles spill into the story they are creating: a vibrant tale set in a river town on the brink of environmental collapse, where two young lovers must decide whether to stay and fight for their homeland or leave in pursuit of a dream, making Aguardiente a theatrical journey about migration, memory, and the complicated act of transforming real lives into art. **PERFORMANCES:** ***Aguardiente*** is a bilingual production with surtitles in English and Spanish, and runs April 30 through May 24, 2026. Performances are Thursdays through Saturdays at 8 pm and Sundays at 2 pm. The show is approximately 160 minutes long and includes one intermission. Community Night is Thursday, April 30. Noche de GALA, which includes a post-performance reception with the cast and creative team, is Saturday, May 2, under the honorary patronage of His Excellency Daniel García-Peña Jaramillo, Ambassador of Colombia to the U.S. **TICKETS:** Regular tickets for ***Aguardiente*** are $60 Premium, $55 Orchestra Standard, $45 Orchestra Value, and $35 Balcony Value; $35 Seniors (65+), Military, Teachers, and Groups (10+); $25 25 and Under; Community Night tickets are $25 each and Noche de GALA: Chosen ticket price + $5 (per person). **[GET TICKETS HERE](https://ci.ovationtix.com/35923/production/1245626)** **CAST:** ***Aguardiente: Where Magic Transcends Borders*** features an 18-people multicultural cast that includes Samuel Garnica (Venezuela) as Alberto, Sebastián Treviño (Colombia and Mexico) as Alejandro, Vin Ramos (Puerto Rico) as Azuquita, Ana Luisa Martínez (Mexico) as Anís, Shayla Hernández (Puerto Rico) as Kiara, Emy Ramos (Dominican Republic and United States) as Beta, Eric González (Spain) as Eve, Machirán (Cuba) as Pepe/MC, and Leanna “Leah” Finol (Venezuela and Hungary) as Mamá/Mom. The ensemble includes Ralphie Rivera (Puerto Rico, Dance Captain), Álvaro Medina Molina (Puerto Rico and Colombia, Alberto U/S), Santiago Ayala (Colombia, Alejandro U/S), Brianna Ríos (El Salvador and Puerto Rico, Anís U/S), Ana Daniela Pérez (Panama, Beta U/S), Bibi Sánchez (Mexico, Mamá U/S), Julia Neveu (United States, Eve U/S), Zaramaría Fas (Puerto Rico, Swing), and Rodrigo Calderón (Peru, Swing, Azuquita U/S). **CREATIVE TEAM:** This enthralling new musical is written, directed, and choreographed by Luis Salgado, with music and music direction by Daniel A. Gutiérrez, and lyrics by both Salgado and Gutiérrez. Scenic Design is by Clifton Chadick, Lighting Design is by Colin Bills, Projections Design is by Milton Cordero, and Madeline “Mo” Oslejsek is Sound Designer. Costume Design is by Jeannette Christensen, Properties Design is by Chelsea Dean, and Hair and Makeup Design is by Andre Hopfer. Sorany Gutiérrez is the Dramaturg, Valeria Cossu is Associate Director, and Ralphie Rivera is Associate Choreographer. Cody Von Ruden is Assistant Costume Designer and Elias Hall is Assistant Properties Designer. The band includes Daniel Gutiérrez (Music Director, Conductor, Keys), Sebastián Natal (Assistant Music Director, Multi-instrumentalist), Juan “Juancho” Gómez (Guitar), Iván Navas (Multi-instrumentalist), Jaime Rodríguez (Percussion), Roger Torres (Trumpet), and Michael “Mike” Ventura (Saxophone). Ester Teixeira Vianna is Stage Manager, Rbekah Nogueira is NYC Assistant Stage Manager, Brian Martínez is DC Assistant Stage Manager, Ilyana Rose-Dávila is Production Manager, Amanda Leyva is Assistant Production Manager, Anson Stevie is Technical Director, Delbis Cardona is General Manager for Rehearsal Space, and Lorena Suárez is Company Administrator. Gustavo Ott is the Producer and Rebecca Medrano is the Executive Producer. The production is made possible in part with generous support from the National Endowment for the Arts (NEA), the DC Commission on the Arts and Humanities, the Paul Angell Foundation, the National Latinx Theater Initiative, and the Morris and Gwendolyn Cafritz Foundation. Additionally, GALA Hispanic Theatre is a recipient of the 2026 THRIVE! Grant, funded by the Mark Edelman Theater Fund and administered by Theatre Communications Group, the National organization for theatre leading for a just and thriving theatre ecology.

Please follow this link for up to date details: [https://www.meetup.com/NoVaPracticalTarot/](https://www.meetup.com/NoVaPracticalTarot/) The annual deck swap is back! Do you have a deck that no longer works for you, a deck that might be looking for a new home? Bring it to the deck swap this month! This is an opportunity for enthusiasts to swap or sell decks so that they can not only make space for new acquisitions but maybe find a new deck as well! All transactions are cash (unless seller and buyer can agree on a payment app). See you there! We are a group of tarot practitioners and enthusiasts who are looking to practice and expand our tarot skills through both collaborative discussion and hands-on practice. Everyone is welcome regardless of skill level, even if you've never picked up a deck in your life! Having a tarot deck is not required. (If you're looking for recommendations for a first deck, we'll be more than happy to help!) Some have found it helpful to bring pen and paper for notes as well. If you are new to the group or to tarot, come get some hands-on experience, and if you've been reading tarot for years, come help out your brothers and sisters. If you are a tarot lover, join us here: https://www.meetup.com/NoVaPracticalTarot/ - This is a completely informal meetup and people with all levels of experience are welcome to attend. Your meetup host this month is Darjeeling, who has been studying tarot since 2011. She came to it in a rather roundabout fashion; her original interest was Jungian mandala creation and interpretation for self-analysis. The transition to tarot came naturally when she began looking for a tool that was more dynamic, responding to questions and operation on a more moment by moment basis. The more that Darjeeling worked with the tarot, the more she realized that this was an open-ended tool with the capability to help people not only reflect on how to move forward in life, but how to get to know themselves better as well. Teaching others about and through tarot is something that she enjoys a lot and has felt called to for a long time. Darjeeling is here the third Sunday of the month for the Tarot meetup, sometimes followed by one of her Tarot classes. No fee, however snacks, donations for the tea fund, and gifts of practical items for the shop (toilet paper, paper towels, etc) are always welcome. Use of workshop space agreement at Sticks and Stones: 1. Feel free to arrange and decorate the space before your event, and make sure before you go to leave it as you found it. 2. Hot water and tea are provided by the store and you are welcome to help yourselves. We accept donations in the form of money, tea, paper products (tissues, paper towels, toilet paper) dish soap, etc, to help pay for this free service. 3. You are welcome to bring snacks and drinks to your event (no alcohol.) It is suggested that you bring any utensils and plates if needed, however we might have some available from previous donations if you forget. 4. Children must be accompanied by an adult at all times, in all areas of the store. Anyone under 18 must have a parent or guardian present to take any of the workshops/classes. 5. Sticks and Stones respects each and everyone’s spiritual path; we do not discriminate based on race, religion, sexuality, political views, etc. Please be kind and respectful with your discussions, as we have many people from all faiths entering our store during business hours.

**This talk has completely sold out in advance and no additional tickets will be sold at the door. A repeat of the talk at Penn Social in DC on Monday, May 18 still has tickets available.** [Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“How AI Alters Thinking,”** on dealing with artificial intelligence’s capacity to change and undermine our thought processes, with Eli Alshanetsky, assistant professor of philosophy at Temple University, principal investigator at its Cognitive Integrity Lab, and author of an upcoming book on AI and freedom of thought. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://events.ticketleap.com/tickets/profsandpints/nv-how-ai-alters](https://events.ticketleap.com/tickets/profsandpints/nv-how-ai-alters) .] Doctors who give bad advice can be sued for malpractice. Teachers belong to a profession with set standards. When artificial intelligence guides you, however, that guidance comes with a disclaimer: Use at your own risk. Every day millions of people take that risk, and usually AI seems genuinely helpful. But even if AI gives us good answers, might its use over time do bad things to how we think? Explore the relationship between AI and our own minds with Eli Alshanetsky, whose Cognitive Integrity Lab studies how artificial intelligence changes how we think, learn, and build trust. Author of *Articulating a Thought* and the upcoming book F*reedom of Thought in the Age of AI*, he’s on the cutting edge of efforts to answer AI-related questions such as: How can we tell when work is truly our own? How can technology support rather than replace authorship and reflection? What does trust mean when AI mediates our relationships with others and with our own thoughts? To set up his discussion of potential consequences of AI, he’ll describe how social media’s impact on society serves as a preview. Social media didn’t just give people what they wanted to click on, it actually changed what they regarded as click-worthy. It broke attention spans and fueled radicalization across millions of very different people. It left us with people who doom-scroll for hours, who can’t focus, who don’t know what to trust anymore. If you’d shown people this version of themselves ten years ago, would they have chosen it? Artificial intelligence is making a similar deal with us, but the stakes are higher. It isn’t chasing clicks. It’s optimized for giving you the most satisfying response to whatever is on your mind right now. The risk over time isn’t just that you’ll get lazy. More profoundly, even when you think hard, your sense of what counts as good thinking—as well as what sounds like you—will shift to match what AI has been feeding you. We’ll consider what kind of person this produces and whether this is someone we want to be or want children to become. Professor Alshanetsky will lay out a practical framework, which he calls “the interaction layer,” for using AI without letting it replace the thinking it’s supposed to support. He’ll also talk about what AI-related concerns should be the focus of parents and educators. (Doors: $17, or $15 with a student ID. Listed time is for doors. Talk starts 30 minutes later.) Image: Illustration by David S. Soriano / Creative Commons.

Join the group for *The Great Gatsby* at the National Theatre on Sunday, May 17 at 2PM! I've sold all the tickets I bought at the box office, so folks without a ticket will need to buy their own tickets going forward. THE GREAT GATSBY is a “Broadway extravaganza that explodes with life and energy” (*Entertainment Weekly*). Based on the classic American novel by F. Scott Fitzgerald, the Tony Award®-winning new musical is an unforgettable journey of love, wealth and tragedy that brings the Roaring Twenties to life on stage. Directed by Marc Bruni (*Beautiful: The Carole King Musical*), this story of extravagance and longing features choreography by Dominique Kelley (*So You Think You Can Dance*), a book by Kait Kerrigan (*The Mad Ones*) and a jazz- and pop-influenced original score by Jason Howland (*Little Women*) and Nathan Tysen (*Paradise Square*).

\#\# A low\-cost\, 6\-week advanced\-level Russian course with the non\-profit organization\, the Global Language Network\. Ready to dive into the world of Russian? Join our fun and interactive class designed especially for those new to the language. **Details** Russian Nearly Native with Gultakin Sundays from 3:00pm - 5:00pm ET Apr 12th to May 17th In-person, Farragut Square DC or Online Ready to learn? **Register [HERE](http://%5B%5B%5Bhttps://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D%5D%5D(https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D%5D)(%5Bhttps://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D%5D(https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D))(%5B%5Bhttps://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D%5D(https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D)(%5Bhttps://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform%5D(https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform))) "\[\[\[https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform\](https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform)\](https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform)\](\[https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform\](https://docs.google.com/forms/d/e/1FAIpQLSem9IdJEYqsE91SvfEEjIe8FuvoAjOusgE2ab_qkvm3apyjzg/viewform))").** **Additional Information** * GLN classes are open to everyone over 18 years of age. * Have a credit or stipend to apply to your payment? Learn more about our credit, stipend, and refund policy on the [Pricing & Course Levels page.](http://%5B%5B%5Bhttps://thegln.org/pricing-%26-course-levels%5D%5D%5D(https://thegln.org/pricing-%26-course-levels%5D%5D)(%5Bhttps://thegln.org/pricing-%26-course-levels%5D%5D(https://thegln.org/pricing-%26-course-levels%5D))(%5B%5Bhttps://thegln.org/pricing-%26-course-levels%5D%5D(https://thegln.org/pricing-%26-course-levels%5D)(%5Bhttps://thegln.org/pricing-%26-course-levels%5D(https://thegln.org/pricing-%26-course-levels))) "\[\[\[https://thegln.org/pricing-%26-course-levels\](https://thegln.org/pricing-%26-course-levels)\](https://thegln.org/pricing-%26-course-levels)\](\[https://thegln.org/pricing-%26-course-levels\](https://thegln.org/pricing-%26-course-levels))") **About GLN** We are a Washington, DC-based 501(c)(3) non-profit organization with a mission to "Use Language as a Tool to Help Fix Our World." Since 2015 we have been rated #1 Best Language Classes in Washington, DC by Yelp! We are so happy and grateful to have you join our network and we appreciate your support of our mission.

*Sometimes we invite Neurodivergent District members to join a virtual event from our Constellations community. We’re glad you’re here.* *Just to clarify, attending this event doesn’t include access to the Constellations member portal or membership. If you’d like ongoing access to events like this, along with curated member introductions for friendship or dating, you’re welcome to explore joining [Constellations](https://www.harringtonmatchmaking.com/constellations-membership).* Join us for a gentle, low-pressure walk at Brookside Gardens for women who want to connect in a calm, supportive environment. This is a space designed for ease: • small group, outdoors, and intentionally slower-paced • no pressure to socialize in any particular way We’ll spend time walking, talking (if you want to), and enjoying the gardens together at a relaxed pace. This gathering is created with care for those who are immunocompromised or benefit from a more accessible, lower-stimulation setting. To support participants with sensitivities, we ask that everyone consider arriving fragrance-free. **Please RSVP using the link below (not just Meetup)** so we can share the exact meeting location, route, and any weather updates. Click [here](https://harringtonmatchmaking.as.me/?appointmentType=91926732) to RSVP.

Doubles Volleyball - Competitive BB-A level @Bluemont Park Let's get together to play some fun A level Doubles games at Bluemont. Format: Doubles COST: FREE Court Type: Outdoor grass Minimum Skill Requirements: A level (click [here](https://docs.google.com/document/u/2/d/1PojSi4qdlRsv1msCHhvpQ43iDc4FfzQwpWCc3kafVMY/mobilebasic) for details) Attention: 1. This event is not always on a first come, first served basis. Those who can bring a net and ball, may get priority over others on the waitlist. 1. Since skill levels are self-reported, some attendees may not meet the expected level in reality, so we encourage you to choose a partner you can enjoy the game with, and since this is a competitive event, it is okay if you make a strong team and win all the games. 1. Since people arrive at different times, each group of 1. Players will set up and claim a net as they arrive, and may continue playing without rotating until all nets are set. ——— Smiley Social documents: [Group Rules](https://docs.google.com/document/u/2/d/1HrG35p_0M08leRvCp8XWG3CMkr_GL928XFabl5T6Dvg/mobilebasic) [Liability Waiver](https://docs.google.com/document/u/2/d/1W2mq-7m99lmvd7gdWYaSUFtvVg4UGnzV6koafAbHmco/mobilebasic) [Volleyball Levels](https://docs.google.com/document/u/2/d/1PojSi4qdlRsv1msCHhvpQ43iDc4FfzQwpWCc3kafVMY/mobilebasic)

Private Group. Closed to the Public Knowing ourselves and understanding our abilities is the first step toward wielding our gifts with control and accuracy. In subsequent classes we will verify and hone our talents with activities and discussion. These are hands-on workshops and participation is expected. The goal of our series will be to develop expertise in areas of particular interest such as mediumship, channeling, divination, healing and, etc.. Our ultimate directions will be determined by class members as we evolve. I look forward to sharing and discovering with you. - Cynthia

Join Neurospicy Columbus at the Stauff's for coffee and then a stroll through the Book Loft nearby! This will be a friendly chat for like minded individuals with Autism and/or ADHD (or somewhere on the Neurodiverse Spectra).

Join us as we get together to see the top-reviewed comedy-drama, I LOVE BOOSTERS! The film comes from writer/director Boots Riley and follows a group of shoplifters who take aim at a cutthroat fashion maven. Here are details, trailers and our plan for this event: DESCRIPTION: The film follows a group of shoplifters who take aim at a cutthroat fashion maven. It is written/directed by Boots Riley (Sorry to Bother You) and stars Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore. BUZZ AND ACCLAIM: I Love Boosters was the opening film at this year’s SXSW Festival and premiered to rave reviews! It is currently earning a tremendous 97% positive rating on Rotten Tomatoes where critics call it, “an unexpected celebration of friendship, community, and solidarity.” Others call the film “an exercise in radical empathy,” a “masterful” and “optimistic” film designed to “provoke discussion” while making the audience laugh. TRAILER: [https://www.youtube.com/watch?v=r4lPRISgr9c](https://www.youtube.com/watch?v=r4lPRISgr9c) SUMMER OF ICE CREAM: GRAETER’S! Established way back in 1870 in Cincinnati, this historic, family-owned brand is famous for their delicious small batch ice cream and any chocolate chunk flavors! They are currently the only commercial ice cream maker using the French Pot method that they’ve been using since they first opened! Plus, those chocolate chunks, oh my goodness! Vegan options are available. PLAN: We’ll plan for a 7pm-ish showing and will meet in the lobby area about 20 minutes before the show. Advance ticket purchase not required for this theater but Showtime and complete details will be confirmed/announced as the date gets closer. Look forward to seeing you there, Dan