Piano

full for drums, bass, piano, 2 of 3 spots taken for lead instruments **Please use this link to sign up and pay** [https://tickts.co.uk/events/novice-11-2pm-may-9-9m-studios](https://tickts.co.uk/events/novice-11-2pm-may-9-9m-studios) (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) *\*\* The 9M Studios sessions are now 3 hours long. The group is encouraged to use the last hour to call additional songs that are not on the repertoire list - similar to an open jam, or to experiment with arrangements such as intros and endings for the original repertoire. \*\** full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. already full for your instrument? Please check back on Wednesday mornings, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: 9M Studios, SE17 1DX **Who's it for** anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responbility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 9)** * Blue bossa in Cm (warm up) (Joe Henderson) https://www.youtube.com/watch?v=EUxv3AAaK_Y * Sidewinder in Eb (Joshua Redman) https://www.youtube.com/watch?v=86lBeSUeh1U * There will never be another you in Eb (Modern Jazz Quartet) https://www.youtube.com/watch?v=DZ00miCbQrs * Don't Get Around Much Anymore in C (Sonny Stitt) https://www.youtube.com/watch?v=tHa1bXtsP6M Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat May 16)** * Bolivar Blues (aka Ba-Lue Bolivar Ba-Lues-Are) in Bb (warm up) (Thelonious Monk) https://www.youtube.com/watch?v=UU-UjXwFi2Y * How insensitive in Dm (Wes Montgomery) https://www.youtube.com/watch?v=GAoXA4IoSyE * Caravan in Fm (note: the form is AABA, first chord C7) (Cohen, Zenon) https://youtu.be/6kxD24KE__k?si=tNFOe16zHexe3VTZ&t=104 * Beatrice in F (Sam Rivers) https://www.youtube.com/watch?v=J2lnek_Z_Zs **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, and microphones. Limited number of music stands. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** singers very welcome though usually I suggest you come to the intermediate sessions where you can pick your own song and key (as chances are many of the above are not in the right key for your range) **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\- any questions do get in touch!

**One quick note on how the community works** **L Community is member-funded.** The standard contribution is **£13 per month** to cover the platform, events, moderation, and safeguarding. If £13 isn’t workable for you right now, you can opt out for now. Support can be changed or cancelled at any time. Support the platform: [www.thelcommunity.com/back-us-now](www.thelcommunity.com/back-us-now) **What this is** A relaxed weekly night for drinks, conversation, and meeting other lesbian and bisexual women in real life. Women usually range from their 20s through to their 60s. Most weeks it’s a genuine mix of new faces and returning women, so you won’t be the only person arriving for the first time. Most people come on their own. That’s normal here, and we make sure you don’t feel it. Hosts introduce people, keep things flowing, and make it easy to settle in without pressure. There’s no requirement to drink, talk constantly, or impress anyone. You can arrive quietly, chat a bit, sit back, or leave early. All of that is fine. If you’re feeling nervous, you won’t be the only one. Many women feel that way before their first event and end up staying longer than they expected. **Important** This is a **female-only lesbian space**. That boundary is clear and upheld at events. If that doesn’t work for you, this won’t be the right event. **How to attend** You must register in advance to attend. Register here: [www.thelcommunity.com/meet-mingle/](https://thelcommunity.com/meet-mingle/) **Arriving and support** Table booking is under the name **Jenny**. If you’re nervous, arriving alone, can’t find us, or have any difficulty at all, you can message at any point — days before, on the day, or during the event. If it helps, we can have someone come outside to meet you. **WhatsApp Jenny** WhatsApp only (calls or messages): **+44 7591 386019** Normal calls or texts will not go through on this number. **Staying connected** Registering for an event is separate from joining the wider community. If you’d like to stay connected between events, access the private WhatsApp group, and join the wider network, you can register here: [www.thelcommunity.com/go](www.thelcommunity.com/go)

full for drums, bass, guitar, lead instruments, vocals, 1 of 2 spots taken for piano **Please use this link to sign up and pay** https://tickts.co.uk/events/novice-9-11am-may-9-vortex-upstairs (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 9)** * Blue bossa in Cm (warm up) (Joe Henderson) https://www.youtube.com/watch?v=EUxv3AAaK_Y * Sidewinder in Eb (Joshua Redman) https://www.youtube.com/watch?v=86lBeSUeh1U * There will never be another you in Eb (Modern Jazz Quartet) https://www.youtube.com/watch?v=DZ00miCbQrs * Don't Get Around Much Anymore in C (Sonny Stitt) https://www.youtube.com/watch?v=tHa1bXtsP6M Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat May 16)** * Bolivar Blues (aka Ba-Lue Bolivar Ba-Lues-Are) in Bb (warm up) (Thelonious Monk) https://www.youtube.com/watch?v=UU-UjXwFi2Y * How insensitive in Dm (Wes Montgomery) https://www.youtube.com/watch?v=GAoXA4IoSyE * Caravan in Fm (note: the form is AABA, first chord C7) (Cohen, Zenon) https://youtu.be/6kxD24KE__k?si=tNFOe16zHexe3VTZ&t=104 * Beatrice in F (Sam Rivers) https://www.youtube.com/watch?v=J2lnek_Z_Zs **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Everyone is welcome to join us for our social, mixed level badminton session at King’s Cross Fitness from 2-4PM. Our weekly Saturday sessions are all about enjoying the game, meeting new people, and staying active in a friendly and welcoming environment. Whether you’re a beginner or have some experience, you’re more than welcome to join. Games will be organised so that everyone gets a good amount of time to play. 🩵sign up ONLY through our Sportas link https://sportas.co.uk/account/asiansportshub 📍 Location: King’s Cross Fitness (courts 1-3) ⏰ Time: 2-4PM every Saturday 🏸 Feather shuttlecocks provided 🎒 Spare racquets available (we have a limited number so please bring your own if you have one) 👉 Follow us on Instagram @asiansportshub to see the other events we run (volleyball, basketball, pickleball, bouldering, dance, etc.) 📷 We take photos and videos of the session for our IG - if you would rather not be photographed/filmed, let us know!

# Rise, heart: the music of Poulenc and Vaughan Williams St. Mary's, Bourne Street, London, SW1W 8JJ Saturday 9th May 2026  Peregrine Orchestra, alongside some fantastic soloists, perform a programme full of joy, mystery, and emotion. Two works form the centrepiece of the programme - Vaughan Williams's Five Mystical Songs (Orlando Barton Hodges - Baritone), and Francis Poulenc's dramatic Organ Concerto (Richard Pinel - Organ). These two works are complimented by music from the same two countries: gorgeous flute music by Poulenc and Debussy (Becca Stanton - Flute; Daniel Collins - Piano), and Peter Warlock's dance-filled Capriol Suite.

**FREE FOR MEMBERS OR SIGN UP WHEN YOU ARRIVE** Hello music enthusiast, We're excited to invite you to our Songwriting Class held right here in the heart of musical Camden every Saturday at 2 p.m! Whether you're a budding songwriter or just looking to explore your creative side, this class is designed **for people under 30s and all skill levels.** Come be a part of our community!!! No matter your background or experience, all are welcome. Let's turn your musical ideas into real songs! If you want to know more information, text or call Thomas: 07310801741

**One quick note on how the community works** **L Community is member-funded.** The standard contribution is **£13 per month** to cover the platform, events, moderation, and safeguarding. If £13 isn’t workable for you right now, you can opt out for now. Support can be changed or cancelled at any time. Support the platform: [www.thelcommunity.com/back-us-now](http://www.thelcommunity.com/back-us-now) **What this is** A relaxed Sunday afternoon book club for lesbian and bisexual women, meeting in person. This is our first event and we will discuss which book we plan to read. It’s low-pressure, calm, and easy to settle into the event. Women usually range from their 20s through to their 60s. Most sessions are a genuine mix of new faces and returning women, so you won’t be the only person coming for the first time. Most people come on their own. That’s normal here, and we make sure you don’t feel it. Hosts introduce people, keep things flowing, and make the space feel easy rather than awkward. If you’re feeling nervous, you won’t be the only one. Many women feel that way before their first book club and end up staying longer than they expected. **Current book**: Ink Black Heart. You don’t need to have finished it. Come even if you’ve only started or just want to listen. **Important** This is a female-only lesbian space. That boundary is clear and upheld at events. If that doesn’t work for you, this won’t be the right event. **How to attend** You must register in advance to attend. Register here: [www.thelcommunity.com/book-club/](https://thelcommunity.com/book-club/) **Arriving and support** The table booking is under the name Jenny. If you’re nervous, arriving alone, can’t find us, or have any difficulty at all, you can message at any point – days before, on the day, or during the event. If it helps, we can have someone come outside to meet you. **WhatsApp Jenny** WhatsApp only (calls or messages): **+44 7591 386019** Normal calls or texts will not go through on this number. **Staying connected** Registering for an event is separate from joining the wider community. If you’d like to stay connected between events, access the private WhatsApp group, and join the wider network, you can register here: [www.thelcommunity.com/go](www.thelcommunity.com/go) We’re currently reading Ink Black Heart. No pressure to have finished it.

I am proud to announce that we having our jam at the Temple Of Art & Music in Elephant & Castle!! Chord Flow: A structured improvisation session where players explore a shared chord progression and key, creating music organically in the moment. Lineup (on stage together): • 2 guitarists • 1 bass • 1 drummer • 1–2 singers • 1 additional instrument (sax, trumpet, percussion, etc.) How It Works: 1. A simple chord progression and its key are written on a whiteboard opposite the stage. 2. The group has 5 minutes on stage to explore the progression together. 3. Tempo, time signature, style, and chord changes are left open — the music’s direction is determined by the group. 4. When the timer starts, the music begins. Musicians respond to each other in real time, building the flow organically. 5. No planning or discussion — focus on listening, reacting, and creating a shared musical experience. 6. After 5 minutes, the group rotates and a new set of musicians begin. The Temple Of Art and Music is a live music venue and bar in Elephant & Castle so I encourage anyone attending to bring friends as it will be great fun for them even if they are not playing. The venue has a PA system, drum kit, mics and guitar/bass amps. There is no guarantee that there will be cymbals or drum accessories with the drum kit at the venue. Drummers please being your own if you can. Like all our other jams it will be a chance to jam with other musicians playing the music that you love in a gentle environment with no judgement and no pressure. This jam also uniquely gives the opportunity to play in front of a crowd! Tickets are **£10 online** message us let us know what instrument you play and we will confirm if there is space and send you the Eventbrite link for the jam. Please do not hesitate to contact me for more information about this jam and London Jam Sessions. At London Jam Sessions we have an active community on WhatsApp where we all discuss the upcoming jams and future events. Everyone in the community is encouraged to ask questions and bring forward new ideas. Dm me and I can add you to our Whatsapp group.

Afternoon sessions, free and open to a public audience. Anyone can join in to play (or sing) - please put your name and instrument (or vocals) down on the sign up sheet, which will usually be on the downstairs bar. **New format: the open jam will start shortly after 3pm, open from the start to those who are dropping by to join us.** The house band will also play a couple of songs throughout the afternoon, including from the [future standards](https://www.vortexjazz.co.uk/event/future-standards-3-2024-04-14-2024-05-12-2024-06-09-2024-08-03/2024-09-22/) repertoire - which everyone is also encouraged to call. Contact me for sheet music. There will also be a possible break for a 30 minute novice+, improver or intermediate set. Many people also come to the open jam, who are looking to join a novice+ or intermediate rehearsal for the first time, so I can get a sense of your playing first. We'll likely go somewhere for food afterwards. See you then Xie

Discover the beautiful art of **castanets (castañuelas)** and add a new dimension to your flamenco 💫 This **6-week introduction course** is open to all levels, including complete beginners. We will build technique step by step, focusing on coordination, rhythm, and musicality. ✨ What you will learn: • Hand positioning and basic technique • Coordination and independence between hands • Rhythm patterns and musicality • Integration into simple flamenco sequences • Posture, arms, and expression This course is also accessible if you prefer or need to participate seated. 📅 **Dates:** Sundays, 19 April – 24 May ⏰ **Time:** 10:00 – 11:00 📍 **Location:** Danceworks London ⚠️ **Please bring proper castanets (not decorative ones)** 👉 **Booking is essential via Danceworks (link below)** https://www.danceworks.com/courses/ Limited places available ✨ If you have any questions, feel free to message.

**Saturday - Lower Intermediate+ @ George Green's** Come and join our friendly badminton club for a fun and competitive doubles session at George Green’s School in Tower Hamlets! 🏸 **How it works** * Book your spot here on Meetup – spaces are limited. * Pay by bank transfer before the session – bank details are provided below. * Bring your own racket and non-marking indoor shoes. Feather shuttles are included. 🎯 **Level** This is a **Lower Intermediate+ session**. You should be able to play clears, smashes, drops, drives, and net shots consistently in games. All players **must be at the right level** for this session. Badminton levels vary between clubs, so we strongly recommend checking out our **Instagram page** to see what *we* class as **Lower Intermediate, Intermediate, and High Intermediate** before booking. We always use the **first game as a level check**. If it becomes clear during that game that the standard isn’t the right match for this session, **you won’t be able to continue beyond that point**. As a **small community club**, we’re unfortunately **unable to offer refunds** in these situations. 👉 Please **only book a session if you are happy to accept these conditions**. 💬 **Stay connected** We have a club WhatsApp group for updates, photos, and extra playing opportunities. Message Peter on **07561 100 413** after you've played at your first session and we’ll add you! 📍 **Venue** * Where: George Green’s School, 100 Manchester Road, E14 3DW (nearest tube: Island Gardens DLR). * On arrival: Let reception know you’re here for the Tower Hamlets Badminton Meetup. 💷 **Price** £12 per session, payable in advance. Bank transfer details: **Badminton Go Ltd** Sort code: 60-83-71 Account: 78644858 (Use your name + date as ref)

Come join our welcoming, low-pressure environment where you can practice performing, build confidence, stay motivated, and connect with others who play piano. Each session is intentionally structured and hosted to ensure everyone has time to play (if they choose), feel supported, socialize, and enjoy the experience. It’s not a class, but a thoughtfully guided space to help you stay consistent and make meaningful progress. **Details:** * Gatherings take place in a private home setting in the Northwest Columbus area (location to be shared after RSVPing) * Small group (max 7–8 participants) to keep the sessions personal and ensure everyone has time to play * Light snacks and refreshments provided * Small fee to support hosting and keep the group high quality and motivated

Ciao a tutt\*! Let's meet Monday at 6.30pm at the Upper Arlington Library (Tremont Branch) in **Meeting Room A** to speak in Italian for 1 hour.

When judging morality, should we prioritize **intentions/duty** or **outcomes/results**? It introduces two influential philosophers as representatives of these approaches. * **Immanuel Kant (deontology):** An action is moral when it is done from **duty** and follows rational, universal principles (the **categorical imperative**). Certain acts—like lying—are wrong regardless of the consequences; you can’t do a wrong thing for a right reason. * **John Stuart Mill (utilitarian consequentialism):** The morality of an action is determined by its **effects**, specifically how much **happiness/well-being** it produces. Mill argues that some pleasures are “higher” than others, and that good intentions don’t redeem harmful outcomes. ## Discussion Questions 1. **The lying dilemma:** A murderer comes to your door and asks if your friend is hiding inside. Kant would say you must not lie. 2. **Can good intentions rescue a bad outcome?** 3. **The organ harvest problem:** A surgeon has five patients dying of organ failure and one healthy patient in for a checkup. Killing the one to harvest organs would save five lives, and the math works out for the utilitarian. Why does this feel so deeply wrong? Is that feeling a point in Kant's favor, or just a bias we should overcome? 4. **Do rules need exceptions?** Kant insists moral rules must be universal, with no exceptions. But most of us can imagine extreme scenarios where any rule seems like it should bend. Does the need for exceptions fatally undermine deontology, or is the strength of the system precisely that it refuses to bend? 5. **Who gets to calculate the consequences?** Utilitarianism asks us to maximize good outcomes, but we're notoriously bad at predicting consequences. If we can't reliably know the results of our actions, is it practical to base our entire moral system on outcomes? Does this uncertainty push us back toward rules and principles? 6. **Everyday morality:** Think about a real moral decision you've made recently, even a small one. Did you reason more like a Kantian (what's the right thing to do in principle?) or more like a utilitarian (what will produce the best result?)? Do most people naturally lean one way? 7. **Justice vs. the greater good:** A town can prevent a deadly plague by sacrificing one innocent person. The greater good is clearly served. But is it just? Can an action be morally right and deeply unjust at the same time? 8. **The big synthesis question:** Are these two systems actually opposed, or do they often arrive at the same answers by different paths? Is it possible that we need both: rules to guide us in the moment and consequences to evaluate systems and policies over time?

Christians in Tech is a community at the intersection of faith and technology. Our meetups are designed to spark meaningful conversations, promote knowledge sharing, and encourage growth—both in your career and your spiritual walk with God. Whether you're an experienced professional or just starting your tech journey, CIT welcomes you. Our Website [https://linktr.ee/citcbus](https://linktr.ee/citcbus) Sponsors and Partners * Improving (Venue Sponsor) * Bethel World Prayer Center (Fiscal Sponsor) * Fruits & Roots (Coffee Partner)