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Piano Events Today

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STAND-UP COMEDY IN ITALIANO
STAND-UP COMEDY IN ITALIANO
⚠️ ATTENZIONE: RSVP su Meetup NON equivale a biglietto. 🎟️ È necessario acquistare il biglietto su [Eventbrite ](https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1987734448243)per partecipare. Questo è il link per prenotare i biglietti: [https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1987734448243](https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1987734448243) Preparati a una serata di risate non-stop nel cuore di South Kensington! Sabato 2 maggio alle 21:00, il nostro palco si accende con alcuni dei comici più brillanti della scena londinese (e non solo). Una line-up esplosiva di talenti affermati e nuove voci promette battute taglienti, aneddoti irresistibili e tanta, tanta comicità. 📅 Sabato 2 maggio \| 🕘 Porte aprono alle: 20:30 🕘 Lo show inizia alle: 21:00 📍 South Kensington Comedy Club, di sopra nella function room del pub Hoop and Toy 👀 Prenotazione vivamente consigliata 🎫 Biglietti online e all’ingresso (fino a esaurimento) 🎟️ Biglietti all'ingresso (se ci sono): £20.00 Che tu sia un fan della stand-up o solo in cerca di una serata diversa, vieni a goderti lo show… risate garantite!
Come and Play Chamber Music
Come and Play Chamber Music
Come and play Chamber Music at my house on Saturday May 2nd; Time as suits between 2:15pm and 9:30pm Please include instruments and expected times in your response, and follow the below requested precautions when coming: Attendance requirements: Please do not come if you are unwell or if you know you were recently exposed to people with Covid or flu. Suggested standard is AB grade7 or NVQ level5 to professional, but in the end the ability to play with others is more important than instrumental technique I provide the following: Up to six playing spaces for groups of up to 12, 8, 6, 6, 6 and 3, respectively. One of the six-person playing-rooms has a carefully-chosen Steinway model B. Other rooms provide a Clavinova CLP575, a Clavinova 625, and an A415 harpsichord (all in different rooms). I have violins, violas, cello and a friend's 3/4 double bass available to play for multi-instrumentalists who do not wish to carry too much (please check before coming). There is a decent library of chamber music mostly for strings and for strings and piano, but some for mixed grooups and wind quintet; in practice at least one wind player usually comes equipped with appropriate music (I will provide warning to winds should this ever not be the case). As this is my private home, details of the location will be emailed by early Sunday to those who have already signed up. Please confirm instruments, chosen timing and the attendance requirements You will see that available playing times are very long - and I can extend until 10:30pm if appropriate. The intention is to allow us to space out and to minimise infection risks - as well as to give multiple pianists access. Please bring a music stand (let me know if this is difficult or impractical, as I can provide a limited number). There will be beverages and biscuits. I have revised the anonymous contribution arrangement - it is now a rectangular tin on the high side in the kitchen. Please give if you can - we sometimes have insurance costs to cover as well as basic meetUp subscription; any surplus (wishful thinking so far) will be used to help extend the music library The list of signed-up players (by instrument and with timing) is now in the comments below; I will try to keep this reasonably up to date I have probably omitted things you need to know. Please ask. (Ditto apparent errors) Looking forward George
Novice | 11-1pm May 2 Vortex upstairs
Novice | 11-1pm May 2 Vortex upstairs
Full for all instruments (spot remains for vocals) **Please use this link to sign up and pay** [https://tickts.co.uk/events/novice-11-1pm-may-2-vortex-upstairs](https://tickts.co.uk/events/novice-11-1pm-may-2-vortex-upstairs) (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 2)** * Tenor madness in Bb (warm up) (Blake, Roberts) https://www.youtube.com/watch?v=5SsRegn8IG4 * A Night in Tunisia in Dm (tricky) (Dexter Gordon) https://www.youtube.com/watch?v=1jccsHMOdZo * Footprints in Cm (Wayne Shorter) https://www.youtube.com/watch?v=LgaIUqH0w6c * If I should lose you in Bb (Hamilton, Chamorro) https://www.youtube.com/watch?v=vVybvSBO1G0 Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat May 9)** * Blue bossa in Cm (warm up) (Joe Henderson) https://www.youtube.com/watch?v=EUxv3AAaK_Y * Sidewinder in Eb (Joshua Redman) https://www.youtube.com/watch?v=86lBeSUeh1U * There will never be another you in Eb (Modern Jazz Quartet) https://www.youtube.com/watch?v=DZ00miCbQrs * Don't Get Around Much Anymore in C (Sonny Stitt) https://www.youtube.com/watch?v=tHa1bXtsP6M **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!
Novice | 9-11am May 2 Vortex upstairs
Novice | 9-11am May 2 Vortex upstairs
full for all instruments and vocals **Please use this link to sign up and pay** [https://tickts.co.uk/events/novice-9-11am-may-2-vortex-upstairs](https://tickts.co.uk/events/novice-9-11am-may-2-vortex-upstairs) (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 2)** * Tenor madness in Bb (warm up) (Blake, Roberts) https://www.youtube.com/watch?v=5SsRegn8IG4 * A Night in Tunisia in Dm (tricky) (Dexter Gordon) https://www.youtube.com/watch?v=1jccsHMOdZo * Footprints in Cm (Wayne Shorter) https://www.youtube.com/watch?v=LgaIUqH0w6c * If I should lose you in Bb (Hamilton, Chamorro) https://www.youtube.com/watch?v=vVybvSBO1G0 Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat May 9)** * Blue bossa in Cm (warm up) (Joe Henderson) https://www.youtube.com/watch?v=EUxv3AAaK_Y * Sidewinder in Eb (Joshua Redman) https://www.youtube.com/watch?v=86lBeSUeh1U * There will never be another you in Eb (Modern Jazz Quartet) https://www.youtube.com/watch?v=DZ00miCbQrs * Don't Get Around Much Anymore in C (Sonny Stitt) https://www.youtube.com/watch?v=tHa1bXtsP6M **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!
Female-only Lesbian Meet & Mingle
Female-only Lesbian Meet & Mingle
**One quick note on how the community works** **L Community is member-funded.** The standard contribution is **£13 per month** to cover the platform, events, moderation, and safeguarding. If £13 isn’t workable for you right now, you can opt out for now. Support can be changed or cancelled at any time. Support the platform: [www.thelcommunity.com/back-us-now](www.thelcommunity.com/back-us-now) **What this is** A relaxed weekly night for drinks, conversation, and meeting other lesbian and bisexual women in real life. Women usually range from their 20s through to their 60s. Most weeks it’s a genuine mix of new faces and returning women, so you won’t be the only person arriving for the first time. Most people come on their own. That’s normal here, and we make sure you don’t feel it. Hosts introduce people, keep things flowing, and make it easy to settle in without pressure. There’s no requirement to drink, talk constantly, or impress anyone. You can arrive quietly, chat a bit, sit back, or leave early. All of that is fine. If you’re feeling nervous, you won’t be the only one. Many women feel that way before their first event and end up staying longer than they expected. **Important** This is a **female-only lesbian space**. That boundary is clear and upheld at events. If that doesn’t work for you, this won’t be the right event. **How to attend** You must register in advance to attend. Register here: [www.thelcommunity.com/meet-mingle/](https://thelcommunity.com/meet-mingle/) **Arriving and support** Table booking is under the name **Jenny**. If you’re nervous, arriving alone, can’t find us, or have any difficulty at all, you can message at any point — days before, on the day, or during the event. If it helps, we can have someone come outside to meet you. **WhatsApp Jenny** WhatsApp only (calls or messages): **+44 7591 386019** Normal calls or texts will not go through on this number. **Staying connected** Registering for an event is separate from joining the wider community. If you’d like to stay connected between events, access the private WhatsApp group, and join the wider network, you can register here: [www.thelcommunity.com/go](www.thelcommunity.com/go)
Beginners African drumming
Beginners African drumming
Come and join in the fun with talented guest Drum Masters Always suitable for beginners! All ages above 8. We are a 'Social Enterprise' so your attendance & support really helps us to survive. Drum hire included in price as well as community vibe! Learning traditional African rhythms through chant and song . Djembes and dun duns. Learning the rich cultural oral history behind the rhythms and how generationally passed down.
Saturday LOW INTERMEDIATE+ @ GEORGE GREENS School (9:10am - 11:10am)
Saturday LOW INTERMEDIATE+ @ GEORGE GREENS School (9:10am - 11:10am)
**Saturday - Lower Intermediate+ @ George Green's** Come and join our friendly badminton club for a fun and competitive doubles session at George Green’s School in Tower Hamlets! 🏸 **How it works** * Book your spot here on Meetup – spaces are limited. * Pay by bank transfer before the session – bank details are provided below. * Bring your own racket and non-marking indoor shoes. Feather shuttles are included. 🎯 **Level** This is a **Lower Intermediate+ session**. You should be able to play clears, smashes, drops, drives, and net shots consistently in games. All players **must be at the right level** for this session. Badminton levels vary between clubs, so we strongly recommend checking out our **Instagram page** to see what *we* class as **Lower Intermediate, Intermediate, and High Intermediate** before booking. We always use the **first game as a level check**. If it becomes clear during that game that the standard isn’t the right match for this session, **you won’t be able to continue beyond that point**. As a **small community club**, we’re unfortunately **unable to offer refunds** in these situations. 👉 Please **only book a session if you are happy to accept these conditions**. 💬 **Stay connected** We have a club WhatsApp group for updates, photos, and extra playing opportunities. Message Peter on **07561 100 413** after you've played at your first session and we’ll add you! 📍 **Venue** * Where: George Green’s School, 100 Manchester Road, E14 3DW (nearest tube: Island Gardens DLR). * On arrival: Let reception know you’re here for the Tower Hamlets Badminton Meetup. 💷 **Price** £12 per session, payable in advance. Bank transfer details: **Badminton Go Ltd** Sort code: 60-83-71 Account: 78644858 (Use your name + date as ref)

Piano Events This Week

Discover what is happening in the next few days

MAY 3 Playthrough for Pianists at The Red Hedgehog
MAY 3 Playthrough for Pianists at The Red Hedgehog
## Details **FOR GENERAL INFO, ADDRESS & DIRECTIONS, PLEASE SEE THE MAIN PAGE DESCRIPTION.** \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **AGE GROUP** Over 18 **LEVEL OF SKILL** Any **GENRES** Anything, including **classical \| jazz \| contemporary pop songs \| musicals \| arrangements \| improvisation \| own compositions \| exam pieces \| duets\.** **COSTS** The **STANDARD TICKET** is £10 for pianists, including up to **5 minutes playing time**. **Longer Playing Slots** £15 for up to 10 minutes playing time £20 for up to 15 minutes playing time £25 for up to 20 minutes playing time\* **Grade Exam or Music Competition Preparation\*** Longer slots are sometimes available for pianists who wish to play through their entire repertoire in one go as preparation for an upcoming advanced exam or music festival entry. \* If the playthrough has a high number of attendees, it may be necessary to allocate a longer time to another playthrough, due to time constraints. **Audience: £5** **MIC & SOUND SYSTEM** Let me know if you would like to accompany yourself singing so the mic can be set up ready for you. **COFFEE BREAK** There will be a 20 minute coffee break (hot drinks & biscuits provided). **PRE-EVENT ACCESS TO TRY OUT THE PIANO** Prior to every publicised START TIME is a half-hour period when you may, if you wish, **try out the piano** or even run through your whole piece, depending on how many other people are waiting to do the same. **EVENT LENGTH** I allocate 3 hours for the playthrough (+ 30 minutes for pianists to try out the piano) but with fewer attendees, it may end earlier. **SUPPORTING OTHER PIANISTS** Unless you have a pressing reason to leave early, please stay to hear all your fellow pianists play, as the point of these sessions is mutual support in our piano playing journeys! \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **BOOKINGS PROCESS** 1 Please leave an **RSVP** against this event here on **LONDON MEETUP** 2 then make payment direct (to include the ticket and the playing time as outlined above). **The Red Hedgehog** Sort Code: **08-71-99** Account: **12697825** **PAYMENT UPON BOOKING IS REQUIRED TO CONFIRM YOUR SLOT!** When you RSVP, please **PAY** immediately otherwise your name will be removed from the list of players. Sorry - 'tis necessary. **CASH ON THE NIGHT** No, sorry... Our numbers are sorted and paid for prior to each event. \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **MORE INFORMATION ABOUT THIS MEETUP CAN BE FOUND ON THE RED HEDGEHOG WEBSITE** https://theredhedgehog.co.uk/m.pianoplaythroughoverview.html **WAIT-LIST** If a place subsequently becomes available for a sold-out playthrough, it will automatically be allocated to the next person on the wait list. **CANCELLATION POLICY** In the event you are unable to attend the event, please find another pianist to take your slot. (A powerful reason for providing your mobile and being part of our whatsapp group is that it's easy to reach out there to find someone to take your place, who can then reimburse your fee direct to you.) \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **SOCIALISING...** Afterwards everyone is welcome to join us for a drink across the road (the **BOOGALOO)** (30 secs from the tube). \-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\-\- **CONTACT THE ORGANISER** Hello. I'm Clare and I run The Red Hedgehog where these meetups are held. If you have questions about anything at all, please just call or text. Happy to chat about anything. **07817 129093**
SAFO Music's songwriting workshop
SAFO Music's songwriting workshop
# Safo Music's – Songwriting workshop **Sunday 3rd May** **11:00am – 6:00pm** **Safo Studios, 23–27 Crouch Hill, London N4 4AP** **£40.00** **Led by Laurence Hobbs – gold & platinum-selling songwriter, producer, and owner of Safo Music.** *** After our sold out workshop last month, we'd like you to join us for a full-day **Songwriting workshop** at Safo Studios – a celebration of creativity, collaboration, and the joy of writing songs. Whether you’re just starting out or already experienced, this is your chance to connect with others and explore the craft of songwriting in a supportive, inspiring environment. ### What to Expect: Small group co-writing sessions in professional studios A relaxed space to share ideas and build confidence Meet like-minded musicians and discover new collaborators Personal mentoring and guidance from Laurence Hobbs throughout the day Working in teams, you’ll co-create original songs from scratch – blending lyrics, melodies, and experiences into something fresh and exciting. It’s all about enjoying the process, learning from each other, and celebrating the art of songwriting. Bring your instrument, your notebook, or just yourself – and spend the day writing with us. [ ](https://www.paypal.com/ncp/payment/JHMW8VKCW57Y4)**[Tickets: £40.00](https://www.paypal.com/ncp/payment/JHMW8VKCW57Y4)** Spaces are limited to keep sessions intimate – book now to secure your place. See you on the 3rd May
CV FREQS
CV FREQS
https://cv-freqs.com/ This edition brought to you by Expert Sleepers and Knobula, CV FREQS modular synth meet and concert returns to London at Iklectik for a pre-Superbooth party on Sunday May 3. Opening with an EMOM session, it will be a full day into night event. Pre-sale tickets now available, see you there! https://dice.fm/event/bb89qo-cv-freqs-3rd-may-iklectik-london-tickets **LINEUP** \* EMOM (That's you! Get in touch if you want to perform at the beginning of the day) \* Paul Chamberlain aka Torchcore \* Dan Hayhurst \* Ned Rush \* Mark Parsons \* St.John \* Harry Mindgame \* Jason Mayo \* Caligari \* Baddest Squid \* Simon Mos \* Eva\|3 \* Begg \* Paul Hierophant \* Eden Grey
Victoria Olivella (TANGO Vice Champion) + QUANTUM ENSEMBLE Live Music
Victoria Olivella (TANGO Vice Champion) + QUANTUM ENSEMBLE Live Music
**😍😍🎶 Sunday 03/05: VICTORIA OLIVELLA’S Welcome Milonga + Live Music QUANTUM ENSEMBLE** We are so honoured to welcome, this spring, the **Worldwide Tango Salon Vice Champion VICTORIA OLIVELLA** (Buenos Aires), who will be teaching at Los Angelitos an exclusive class, and celebrate at her Welcome Milonga with the **Live Music of QUANTUM TANGO**. Victoria Olivella is an Argentine tango dancer and teacher recognised for her elegance, musicality, and strong technical foundation. She gained international attention as the World Vice Champion of Tango in 2022, a title that established her among the leading figures of the contemporary tango scene. She came so close to being world champion – at this level, the difference between sub-champion and world champion is infinitesimal ;-). Known for her refined style and expressive interpretation, Olivella performs and teaches at festivals and events across Europe and beyond, often partnering with renowned dancers. Her teaching is especially appreciated for being clear, warm, and practical, focusing on technique, connection, and musical awareness developed through years of experience. You will find her teaching impressively warm and useful, giving tips that she developed in her dancing along the years. Don’t miss this opportunity to learn from the best tango has to offer. **🤩🤩 PROGRAMME:** Victoria will teach with Bruno both classes. We will start with he beginner / improver lesson on the theme of the Ocho Atras, and follow with the 3pm Fabulous Volcadas: learn the tricks and technique from a vice champion to make your Volcadas to die for – well not that far but almost ;-). Your milonga Los Angelitos will follow, for all to enjoy, with Live music and a TDJ. What a feast! * **[https://tanguito.co.uk/sunday/](https://tanguito.co.uk/sunday/)**
Guitar jam in Hyde Park (weather permitting)
Guitar jam in Hyde Park (weather permitting)
We meet up in Hyde Park (Just to the West of the Rose Garden - see pin on the map). The guitars will give us away so we can recognise each other in the mass of other people. From there, we sit on the grass, and after some introductions, we start jamming. My genres are: rock, blues, folk, singer-songwriter but anything goes. For jamming, we'll pick a chord progression, something not too complicated and then we take turn to improvise melodies on top of it (both guitar solos but also vocalising). Intermediate level and above ideally but any level welcome but you should probably be able to play some chords (to get the most out of it). Other things we will do: 1. We can play songs - whoever wants to, not going to go round the circle forcing people to play. The songs can be either originals (your own songs) or known songs. 2. We can chat about music or other things 3. Have a drink - bring your fave drink (wine, beer, non-alcoholic) 4. Food goes too (bring your own) When we've had enough, we say goodbye and go home. People can leave early too if they've got other stuff to do or the whole thing is not their vibe (no hard feelings). All of that is weather permitting. If it rains, it's not happening - unless someone suggests a free venue (I don't know one :-)
Love to Drum - djembe and percussion fun!
Love to Drum - djembe and percussion fun!
**Love to Drum - Djembe and Percussion Fun!** Join us for an exciting drum circle experience with our regular host, Simon, who will be teaching simple and not-so-simple West African based drum rhythms. Together, we'll create uplifting and positive vibrations through the power of drums and percussion instruments, sharing in the joy of making music in a friendly and inclusive environment. Whether you're a beginner or have some experience, this drumming session is open to all. You'll have the opportunity to learn Djembe and Dundun drum rhythms and playing techniques. It's a chance to immerse yourself in the world of drumming and connect with others through the universal language of music. Don't miss out on this joyful and enriching experience! No matter your level of ability, you're bound to enjoy it. The cost for the entire session, including drum hire, is £15.

Piano Events Near You

Connect with your local Piano community

Adult Piano Players Meetup
Adult Piano Players Meetup
Come join our welcoming, low-pressure environment where you can practice performing, build confidence, stay motivated, and connect with others who play piano. Each session is intentionally structured and hosted to ensure everyone has time to play (if they choose), feel supported, socialize, and enjoy the experience. It’s not a class, but a thoughtfully guided space to help you stay consistent and make meaningful progress. **Details:** * Gatherings take place in a private home setting in the Northwest Columbus area (location to be shared after RSVPing) * Small group (max 7–8 participants) to keep the sessions personal and ensure everyone has time to play * Light snacks and refreshments provided * Small fee to support hosting and keep the group high quality and motivated
Duty vs. Results: What Makes an Action Moral?
Duty vs. Results: What Makes an Action Moral?
When judging morality, should we prioritize **intentions/duty** or **outcomes/results**? It introduces two influential philosophers as representatives of these approaches. * **Immanuel Kant (deontology):** An action is moral when it is done from **duty** and follows rational, universal principles (the **categorical imperative**). Certain acts—like lying—are wrong regardless of the consequences; you can’t do a wrong thing for a right reason. * **John Stuart Mill (utilitarian consequentialism):** The morality of an action is determined by its **effects**, specifically how much **happiness/well-being** it produces. Mill argues that some pleasures are “higher” than others, and that good intentions don’t redeem harmful outcomes. ## Discussion Questions 1. **The lying dilemma:** A murderer comes to your door and asks if your friend is hiding inside. Kant would say you must not lie. 2. **Can good intentions rescue a bad outcome?** 3. **The organ harvest problem:** A surgeon has five patients dying of organ failure and one healthy patient in for a checkup. Killing the one to harvest organs would save five lives, and the math works out for the utilitarian. Why does this feel so deeply wrong? Is that feeling a point in Kant's favor, or just a bias we should overcome? 4. **Do rules need exceptions?** Kant insists moral rules must be universal, with no exceptions. But most of us can imagine extreme scenarios where any rule seems like it should bend. Does the need for exceptions fatally undermine deontology, or is the strength of the system precisely that it refuses to bend? 5. **Who gets to calculate the consequences?** Utilitarianism asks us to maximize good outcomes, but we're notoriously bad at predicting consequences. If we can't reliably know the results of our actions, is it practical to base our entire moral system on outcomes? Does this uncertainty push us back toward rules and principles? 6. **Everyday morality:** Think about a real moral decision you've made recently, even a small one. Did you reason more like a Kantian (what's the right thing to do in principle?) or more like a utilitarian (what will produce the best result?)? Do most people naturally lean one way? 7. **Justice vs. the greater good:** A town can prevent a deadly plague by sacrificing one innocent person. The greater good is clearly served. But is it just? Can an action be morally right and deeply unjust at the same time? 8. **The big synthesis question:** Are these two systems actually opposed, or do they often arrive at the same answers by different paths? Is it possible that we need both: rules to guide us in the moment and consequences to evaluate systems and policies over time?
Italian Conversation Hour
Italian Conversation Hour
Ciao a tutt\*! Let's meet Monday at 6.30pm at the Upper Arlington Library (**Tremont** Branch) in **Meeting Room A** to speak in Italian for 1 hour.
Cocoaheads
Cocoaheads
Come out to Improving for our monthly iOS and Mac meetings. This Month's Presentation: Nothing yet. (You should volunteer). What is Cocoaheads (http://cocoaheads.org/)? CocoaHeads is a group devoted to discussion of Apple Computer's Cocoa Framework for programming on MacOS X and iOS (including the iPhone, iPad and Apple Watch). During monthly meetings, members present on their projects and offer tutorials on various programming topics. What is BuckeyeCocoa (http://buckeyecocoa.org/)? BuckeyeCocoa is a group of Objective-C/Swift developers/enthusiasts. We host monthly Cocoaheads and near-weekly NSCoder meetings in Columbus, Ohio. The meetings are free to attend. Presentations! Presenters welcome! We are always in need of people willing to present material. Any Swift and/or Objective-C related topic is welcome. Times can be 5 minutes (i.e. lightning talks) to a maximum of 2 hours. Interested? Contact info is on the BuckeyeCocoa website. To volunteer for a presentation contact us at @BuckeyeCocoa on Twitter. Follow us on Twitter! @BuckeyeCocoa (https://twitter.com/#!/Buckeyecocoa/) For more information: http://buckeyecocoa.org/
Christians in Tech - Meetup #35 @ Improving
Christians in Tech - Meetup #35 @ Improving
Christians in Tech is a community at the intersection of faith and technology. Our meetups are designed to spark meaningful conversations, promote knowledge sharing, and encourage growth—both in your career and your spiritual walk with God. Whether you're an experienced professional or just starting your tech journey, CIT welcomes you. Our Website [https://linktr.ee/citcbus](https://linktr.ee/citcbus) Sponsors and Partners * Improving (Venue Sponsor) * Bethel World Prayer Center (Fiscal Sponsor) * Fruits & Roots (Coffee Partner)
The Alliance All-Voices Chorus Open Rehearsal
The Alliance All-Voices Chorus Open Rehearsal
The Alliance is part of the Greater Central Ohio Chapter of the Barbershop Harmony Society. We are an all-voices chorus dedicated to providing an inclusive environment for all those who love to sing, regardless of their race, gender identity, sexual orientation or musical background. The Alliance is the first and only all-voices barbershop chorus in Central Ohio. **Who:** Anyone with a passion for singing at a high level. Previous barbershop chorus/quartet experience not required. **When:** The Alliance rehearses weekly on Thursdays from 7pm-10pm. **Where:** Lord Of Life Lutheran Church: 2480 W Dublin Granville Rd, Columbus, OH 43235 To become a full member of The Alliance, we welcome you to start by visiting us for a few rehearsals to experience the group and sing with us! Then, you may begin the 2-part audition process for membership: the assessement, and audition. We strive to make our auditions as stress-free as possible to help you let your best singing self shine.