Songwriting

**FREE FOR MEMBERS OR SIGN UP WHEN YOU ARRIVE** Hello music enthusiast, We're excited to invite you to our Songwriting Class held right here in the heart of musical Camden every Saturday at 2 p.m! Whether you're a budding songwriter or just looking to explore your creative side, this class is designed **for people under 30s and all skill levels.** Come be a part of our community!!! No matter your background or experience, all are welcome. Let's turn your musical ideas into real songs! If you want to know more information, text or call Thomas: 07310801741

A chance just to work in company on your writing, be it a book, blog, screenplay, dissertation, poem, song, coursework, memoir, play, journal, travel writing or work stuff. Newcomers always welcome. No one will see what you're writing or give you unsolicited advice. WE FILL THE ROOM, so you MUST SIGN UP below AND ARRIVE BY 11.40 at the latest, or we can’t guarantee you a seat. And if you can't make it CHANGE YOUR RSVP to "not going" ASAP to give someone else a chance, thanks. WHERE? FIFTH FLOOR CAFÉ, Floor 5, Waterstones, 203-206 Piccadilly, W1J 9LE TIMINGS:- 11.00 - Café starts serving 11:30 - Host of the day will be there. Say hello, especially if you’re new. 11.40 - Brief introductions for everybody - your name and what you’re working on 11:45 - Timer starts: write for 45 minutes 12:30 – Break, chat to your neighbours if you like 12:45 - Timer starts: write for 45 minutes 13:30 - The End…feel free to stay and keep writing or chat some more. Bring whatever you need to be able to write. It’s a café, there’s some noise so earbuds/headphones/earplugs are handy. There’s very few mains sockets so charged-up laptops are a good idea too. And please remember everybody, thank our venue by buying a drink or food, and don’t consume anything from outside while you're here. IF YOU ARRIVE AFTER 11.45 - everyone will be quiet and writing. If there's no spare places ASK THE CAFE STAFF, they may be able to seat you in the adjacent restaurant section (without having to buy food). If not then there's sofas on the sales floors below as well as one cafe at the back of the ground floor and another in the basement. The hosts won't have any other alternatives to offer you. Please feel free to join us for the break and afterwards. We’re looking forward to writing with you, your hosts, Sarah, Nick, Laura and Anna

**Write together with other writers. If you write more surrounded by others, I hope you'll join these brand new sessions.** **\*NEW FOR 2026\*** Starting up regular Saturday sessions where we writers will gather to write in the same space. There will be plenty of time for you to push forward your own individual projects, but I can provide a writing prompt, short exercise or challenge to anyone who needs them. You can book a spot for a guest with your ticket if you want to bring a writing friend with you. They don't have to be a member of our group. Timing: From **12:30** grab a drink, a table and set up **12:35** individual writing time (I'll stop your table to say hi\*) *\*if you'd like a prompt or writing exercise, please ask when you arrive.* **13:30** take a break (stretch, look out window, tea, wine etc) **14:00** end of writing time **14:00** we'll gather at the same table to say hello, compare notes and how we got on with our projects in the session **14:30** end of session but you don't have to stop if you're mid-flow. If you want to stay on and keep writing, please do so. I'm hosting this in the main upstairs area of the pub so you can come and go as you please. You can come to write for a short time or the whole thing. I will be going to each writer individually at their table to chat about their project and if they want a prompt, challenge or exercise from me to write in the session. I've allowed two hours for the session but you can easily stay on longer if you wish. Timing is 12:30pm to 2:30pm and we'll gather in the last 30mins to say hello so we do meet each other during the session. I will be there for 12pm when the pub opens to grab us the horseshoe of tables (pictured above) so most of us can be sitting in the same vicinity together. That said, it's a spacious pub so if you want to spread out and choose your own spot, feel free. Manners suggest that you'll buy a drink and perhaps a snack or two from the pub as a part of using their table. Please don't bring your own drinks from elsewhere (water bottles included) as the pub will never let us back in. See their menu on the website for more info. Location: The Square Pig, 30-32 Procter St, London WC1V 6NX. Closest tube is Holborn. Timing: Doors open 12pm for a 12:30pm start and finish the main session by 2:30pm. Cost: £10 for hosting, venue arrangement, writing task prep etc. Please follow the steps to pay via PayPal when you RSVP. Refunds or credits will only be offered if the meetup is cancelled by admin. If you change your mind after booking, please change to RSVP to 'not going' as we often have people waiting. Download the Meetup app (check the app store) to manage your RSVPs on the go and be notified about new workshops. Questions or concerns? Please post a comment below and I'll respond. I'm looking forward to it already!

**We will be at The Mitre pub in central Greenwich.** This meetup is free and casual. We just sit around for a few hours and write together. Bring a laptop, or use a pen and paper or clay tablet and stylus if that's what works for you. The structure of the session is roughly: 2pm: chat 2:20–3:25: writing time 3:25: chat/coffee break 3:40–4:45 writing time 4:45: chat But our Saturdays are very casual, so feel free to drop in and out. **This is usually in the meeting room at the Mitre. If you arrive a bit later, you may need to ask the bar staff to show you through to the room.**

After our usual Saturday writing event, our Shut Up and Write regular Sonali Misra will be giving a Q&A on the inner workings of the publishing industry and what publishers are looking for. Sonali is a published writer with a PhD in publishing studies and a Lecturer in Publishing at University of the Arts London (UAL) and previously worked in sales/product and editorial roles at Hachette and Scholastic in India. She co-founded The Selkie Publications CIC, an international literary magazine that platforms minoritised writers. Her writing has appeared in British, Canadian and Indian anthologies and her debut non-fiction book came out in 2020 by leading Indian publisher Rupa.

An in person writing group for writers of the weird, the wild, the dark and the dismissed. With a focus on Feminist and Queer stories, and a commitment to the chaos and joy of the writing life, we invite you to join us to work on your own projects. We will meet for two hours, on the second Saturday morning of each month. We will begin with a 15 minute catch up, followed by 45 minutes quiet writing, then a 15 minute break/chat, followed by a final 45 minutes of feedback on each other’s work if wanted, or further writing. Come join us, we’d love to have you!

I am proud to announce that we having our jam at the Temple Of Art & Music in Elephant & Castle!! 20 Second Chain: A structured improvisation format where a musical “chain” unfolds organically, with each player responding to and building on what came before. Lineup (on stage together): - 2 guitarists - 1 bass - 1 drummer - 1–2 singers - 1 additional instrument (sax, trumpet, percussion, etc.) How It Works: 1. All musicians on stage are assigned a number, which determines the playing order. 2. Playing order, a key (and available chords) is written on a whiteboard opposite the stage. 3. Number 1 begins alone with a simple idea for 20 seconds — leave space for others to build. 4. Every 20 seconds, the next numbered musician joins one at a time, layering something that complements what’s already happening. 5. Once everyone has entered and the full band is playing, the group improvises for 5 minutes, developing the groove — complexity and solos can grow naturally. 6. No on-stage planning — listen and respond in real time. 7. After the timer ends, the group rotates and a new chain begins. The Temple Of Art and Music is a live music venue and bar in Elephant & Castle so I encourage anyone attending to bring friends as it will be great fun for them even if they are not playing. The venue has a PA system, drum kit, mics and guitar/bass amps. There is no guarantee that there will be cymbals or drum accessories with the drum kit at the venue. Drummers please being your own if you can. Like all our other jams it will be a chance to jam with other musicians playing the music that you love in a gentle environment with no judgement and no pressure. This jam also uniquely gives the opportunity to play in front of a crowd! Tickets are **£10 online** message us let us know what instrument you play and we will confirm if there is space and send you the Eventbrite link for the jam. Please do not hesitate to contact me for more information about this jam and London Jam Sessions. At London Jam Sessions we have an active community on WhatsApp where we all discuss the upcoming jams and future events. Everyone in the community is encouraged to ask questions and bring forward new ideas. Dm me and I can add you to our Whatsapp group.

**Update: full for drums, bass, guitar, piano, 2 of 3 spots taken for lead instruments (sax, trumpet, violin, flute)** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Mar 14)** * Fly me to the moon in C (warm up) (Scott Hamilton) https://www.youtube.com/watch?v=QhIapeq7GBU * On Green Dolphin Street in Eb (Miles Davis) https://www.youtube.com/watch?v=xGVdAlxlp18 * Moanin' in Fm (Chad LB) https://www.youtube.com/watch?v=kyQm1kE41os * Doxy in Bb (Davis, Rollins) https://www.youtube.com/watch?v=VWreJOSbIQQ Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sun Mar 22)** * Sonnymoon for two in Bb (warm up) (Sonny Rollins) https://www.youtube.com/watch?v=KCzV9PxGS30 (can attempt the solo breaks) * Lucky Southern in D (tricky - try slower than recording) (Airto) https://www.youtube.com/watch?v=Dd1paQjjbP0 * Maiden Voyage in D (Herbie Hancock) https://www.youtube.com/watch?v=EWC5x9G45yo * Moonglow in G (Dizzy Gillespie) https://www.youtube.com/watch?v=VaJqyezOo_s **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

*'It was a journey towards conquering our fears and limitations and unlocking our fullest potential.'* \- Sarah Kent\, former visual arts editor of London's Time Out Details and bookings here: https://imprology.com/G201469/we.shtml Please aim to arrive 15 minutes early so we can all start on time. Pay Forward £30 - Regular £25 - Starter £20 **1\. Do I need any experience to join?** No. This weekend is for anyone curious about being more present, playful, and connected. Impro experience or none at all—you’re welcome. Some participants have been doing it for years, and some are just starting. **2\. What if I’m shy\, nervous\, or feel out of place?** That’s completely fine. This retreat is built to include you exactly as you are. Nothing to prove, nothing to perform. Just start where you are and let things unfold. **3\. Will I have to perform?** Not if you don't want to. It's all Open Space: you only do what feels right for you. Sometimes things will be funny, but we’re not aiming for it. **4\. Will I have to be funny?** Sometimes things will be funny, but we’re not aiming for it. **5\. What actually happens during a class?** We breathe, stretch, move, play, speak, and rest. Some games are full-body and wordless. Others are about listening, timing, and presence. If it's a retreat, there’s food, silence, laughter, and space to do nothing at all. **6\. What should I bring?** Clothes that you can move and rest in. If it's a retreat, shoes or boots for walking, swimsuit, mosquito repellent, allergy medication if needed and anything that helps you feel at ease. We’ll take care of the rest. **7\. What do people leave with?** A quieter mind. Looser body. Sharper attention. A sense of having been part of something real. **8\. How many people will be there?** Usually around 6 to 8 people for a class or a retreat. Enough to play, small enough to stay close. It can be much more in a jam, six to 40 in our experience. This is a journey into the heart of improvisation inviting you to rediscover the joy of play, the beauty of improvisation, and the transformative power of connection. Through original exercises and guided explorations, you'll build trust with your partners, engage fully with your intuitions and tap into your audience's "secret wishes" to improvise compelling scenes and stories. This workshop celebrates the courage to leap into the unknown, conjuring an environment where mistakes become gifts and collaboration sparks magic. Whether you're a performer seeking fresh inspiration or simply someone eager to explore the art of being present, "Now or Never" offers a supportive space to practice active listening, fearless vulnerability, and the art of doing rather than trying. Imprology unique approach to improvisation eliminates pre-planning and second-guessing to empower performers with a “now or never” approach to improvisation. Come as you are, and leave with a renewed sense of freedom, connection, and possibility.

So the eighteenth [Musical Comedy Awards](https://www.musicalcomedyawards.com) competition has begun! The top 44 musical comedy acts have been selected from online entries and are battling it out in the heats and semi-finals at The Phoenix through to the Grand Final at The Bloomsbury Theatre on Friday April 10th. Come along for amazing Saturday afternoons of musical comedy entertainment and vote for your favourite acts to progress through to the next round! Semi-final 1 will be headlined by Mitch Benn! Mitch is not only one of the most sought-after acts on the comedy circuit, but is widely acknowledged as one of the best writer/performers of comic songs in the country. On TV, Mitch appeared regularly on BBC1's "The One Show" as the writer and arranger of "The Complaints Choir". Mitch contributed occasional songs to Channel 4's "Bremner Bird And Fortune". He has also appeared on "The Last Word" for More4, "Gas" for Channel 4, "Live at Jongleurs", "The Warehouse" and "Today With Des & Mel" for ITV, "The Comedy Store" for Channel 5, "The World Stands Up" for Paramount and "Raymaan Is Laat" for Dutch TV. * 'Held the audience totally captivated' \*\*\*\*\* (ThreeWeeks). * 'Anyone who likes music, hates Simon Cowell and likes learning new things will love it' \*\*\*\* (Chortle). Join us at this one show for £10/ticket, or at all 6 of them with a massive discount of £37.50 by purchasing a £22.50 Phoenix Pass, at [https://www.wegottickets.com/musicalcomedyawards](https://www.wegottickets.com/musicalcomedyawards)! The 12 acts competing in this first semi-final will be: * Dru Cripps * Danny Garg * Aalex Mandel-Dallal * Tom Veck * Katie Hand * John and Christian * Jonny Bennett * Will and Noah * Abi Sharp * Becky Goodman * Jonathan Rippon * Eoghan Collins Now in its 18th year, the WeGotTickets Musical Comedy Awards is an annual competition to support, promote, expose and celebrate the best emerging musical comedians in the UK. If you are a fan of musical comedy acts such as Tim Minchin, Flight Of The Conchords and Flo & Joan, you'll love this show! Our official patron since 2025 is Bill Bailey MBE. Over the years, the MCAs have provided a launch pad to now established and emerging stars of the genre such as Frisky and Mannish (2009 Finalists), Abandoman (2010 winners), Rachel Parris (Runner Up 2012 and star of The Mash Report), Mae Martin, Jazz Emu, Katie Norris and many more. The MCAs have created a thriving independent platform to celebrate the artform that is musical comedy. Other acts that have featured as headliners in our shows include David O'Doherty, Bo Burnham, Rubberbandits, Mitch Benn, Jay Foreman, Pippa Evans, Tom Basden, Isy Suttie, Ginger & Black, Earl Okin, Flo & Joan, Wilson Dixon, Jo Neary, Mr B. The Gentleman Rhymer, Sarah-Louise Young, Adams & Rae and many more. [RSVP on the Facebook event](https://www.facebook.com/events/889811717072409/)

**You must register to attend:** [https://luma.com/d04bupgn](https://luma.com/d04bupgn) ​Attention London agent tinkerers and curious humans 🤖✨ ​Come join us for **ClawClub AI Agents Hackday** \- a bring\-your\-laptop afternoon for playing with AI agents\, agent UX \(AUX\)\, OpenClaw\, Moltbot\, or any agent idea you’ve been meaning to try\. ​No talks. No demos. Just tables, power, Wi-Fi, snacks, a shared scratchpad, and maybe a place where agents can hang out together. * ​​**bring a laptop 💻** * ​bring an agent (or curiosity) 🤖 * ​​register quick to avoid disappointment! 🎟️ * £10 ​​ticket price covers food, drinks & venue costs 🍴 * ​​hosted at [Newspeak House](https://newspeak.house/), The London College of Political Technology 🏛️ **You must register to attend:** [https://luma.com/d04bupgn](https://luma.com/d04bupgn)

**Update: full for all instruments and vocals** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex downstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Mar 14)** * Fly me to the moon in C (warm up) (Scott Hamilton) https://www.youtube.com/watch?v=QhIapeq7GBU * On Green Dolphin Street in Eb (Miles Davis) https://www.youtube.com/watch?v=xGVdAlxlp18 * Moanin' in Fm (Chad LB) https://www.youtube.com/watch?v=kyQm1kE41os * Doxy in Bb (Davis, Rollins) https://www.youtube.com/watch?v=VWreJOSbIQQ Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sun Mar 22)** * Sonnymoon for two in Bb (warm up) (Sonny Rollins) https://www.youtube.com/watch?v=KCzV9PxGS30 (can attempt the solo breaks) * Lucky Southern in D (tricky - try slower than recording) (Airto) https://www.youtube.com/watch?v=Dd1paQjjbP0 * Maiden Voyage in D (Herbie Hancock) https://www.youtube.com/watch?v=EWC5x9G45yo * Moonglow in G (Dizzy Gillespie) https://www.youtube.com/watch?v=VaJqyezOo_s **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Join us for an hour of writing! We’ve discovered that it’s strikingly helpful to write with other writers. See if it’s true for you at 7:00pm on Wednesday, March 25 at Streetlight Guild. Be it a book, blog, script, essay, dissertation, resume, melody, poem or just plain work stuff, you are invited to write it with us. No one will see what you've written or give you unsolicited advice. Instead of just thinking about writing, come and get some real writing done. **SCHEDULE:** 6:45ish - Quick introductions 7:00 - Timer starts: write for 1 hour 8:00 - The End **OPTIONAL SOCIALIZING** happens before and after the writing hour. Writing is very solitary. Connecting (and sometimes even commiserating) with other writers is a cool thing. **BEING LATE IS OKAY:** just show up and get settled! If you were on time, please be willing to make room for the friendly latecomer. Happy writing & I look forward to seeing you at Streetlight Guild! **WHAT SHOULD I BRING?** Whatever you need to be able to write! You're welcome to bring earplugs/headphones if noise will bother you! **OTHER IMPORTANT DETAILS:** * **RSVP:** Please RSVP by 6:00pm the evening of the meeting. This helps me know how many to expect, and if we'll need additional space! * **COVID:** While masks are not required, please be mindful of the other writers around you and their comfort levels. * **WIFI/OUTLETS:** Outlets are limited, so please ensure your devices are charged when you come! But Streetlight Guild does have free WiFi! Yay! * **PARKING:** There is free public parking at Streetlight Guild.

We'll meet at The Capital One Café, 167 Easton Town Center, Space A-103. This is in the main mall where the Microsoft store used to be, on your left if you're standing at the bottom of the AMC Theater escalator. Join us on Sunday for an hour of uninterrupted wordmaking! • What we'll do Join us for an hour of writing! We’ve discovered that it’s strikingly helpful to write with other writers. See if it’s true for you at noon on Sundays. Be it a book, blog, script, essay, dissertation, resume, melody, poem or just plain work stuff, you are invited to write it with us. No one will see what you've written or give you unsolicited advice. Instead of just thinking about writing, come and get some real writing done. SCHEDULE: 12:00 - quick intros. 12:10 - timer starts: write for 1 hour. 1:10 - chat / take off / keep writing. OPTIONAL SOCIALIZING happens at 1-1:30ish. Writing is very solitary. Connecting (and sometimes even commiserating) with other writers is a cool thing. BEING LATE IS OKAY: just show up and get settled, then check-in with me after the session. If you were on time, please be willing to make room for the friendly latecomer. Happy writing and I look forward to seeing you! • What to bring Whatever you need to be able to write! Bring earbuds/earplugs if you want to block noise or the occasional conversation by other patrons. Electrical outlets are limited, so charge your devices before whenever possible. See you at The Café on Sunday!

We'll meet at The Capital One Café, 167 Easton Town Center, Space A-103. This is in the main mall where the Microsoft store used to be, on your left if you're standing at the bottom of the AMC Theater escalator. Join us on Saturday for an hour of uninterrupted wordmaking! • What we'll do Join us for an hour of writing! We’ve discovered that it’s strikingly helpful to write with other writers. See if it’s true for you at 10AM on Saturday mornings. Be it a book, blog, script, essay, dissertation, resume, melody, poem or just plain work stuff, you are invited to write it with us. No one will see what you've written or give you unsolicited advice. Instead of just thinking about writing, come and get some real writing done. SCHEDULE: 10:00 - SESSION 1: quick intros. 10:10 - timer starts: write for 1 hour. 11:10 - chat / take off / keep writing. OPTIONAL SOCIALIZING happens at 11A-11:30ish. Writing is very solitary. Connecting (and sometimes even commiserating) with other writers is a cool thing. BEING LATE IS OKAY: just show up and get settled, then check-in with me after the session. (I’ll be the person with the Shut Up & Write! sign.) If you were on time, please be willing to make room for the friendly latecomer. Happy writing and I look forward to seeing you! • What to bring Whatever you need to be able to write! Bring earbuds/earplugs if you want to block noise or the occasional conversation by other patrons. Electrical outlets are limited, so charge your devices before whenever possible. See you at The Café on Saturday!

The topic for March is "Our Bodies, Ourselves" Speak Easy: true stories, told live. The idea is simple: an audience, an open microphone, and great stories. Hilarious, gripping, poignant- it's up to you. Audiences are invited to come to listen or come to tell as folks from all corners of Columbus offer their stories live on stage! Held at Wild Goose Creative's warm, intimate space, this night of tales occurs on the 3rd Thursday of every month. Doors open at 6:30 pm, show starts at 7:00 pm. Please arrive early if you want to tell, as we generally only have room for a limited number of tellers, and the sign-up sheet has a tendency to fill up fast. Formed around the idea that people need stories--they're what hold and draw us together--SpeakEasy celebrates the strangeness and commonness of being human. And in a world of smartphones, Facebook, Twitter, and more . . . it gives people a real, breathing, in-person way to connect. The night is geared for true stories of all kinds, taking the best tales told around kitchen tables, in darkened pubs, on the street corner, and at late-night parties and giving them an audience. Speak Easy is also a great outlet for performers, writers, and artists looking to share their favorite stories and perfect their skills. We strongly encourage tellers to please tell the story rather than read it so we keep within the spirit of good storytelling and stay engaged with the audience. All are welcome. Hang around after the show for a drink and build community!

Greetings writers! Come down and join your fellow wordsmiths for one hour of uninterrupted writing time in the upper level of the Market District Supermarket in Upper Arlington. The main entrance of the shopping center opens onto stairs/elevator leading up to the 2nd floor cafe section where we will have a table displaying a sign with the Shut Up & Write logo. Writing is largely a solitary craft. Practicing with others in a community setting may be the thing you need to fire your own routine. We’ll meet on Wednesday evenings, starting the clock at 6:30, following a brief period of introductions. This is solid writing time and all inclusive. Any project is acceptable, be it fiction, non -fiction, work or homework assignment. All is welcome and will remain private to you. The market boasts a Starbucks, a full service bar and various affordable food options. Parking is plentiful, free Wifi is provided as well as outlets for charging your devices, though they are somewhat limited, so plan accordingly. Show up as early as you like, or stay late. This group tends to socialize some, both before and after the alloted time, but this is not mandatory to you. Feel free to come and go as you please and late arrivals are welcome. The cafe may be noisy on occasion so headphones/ earbuds are reccommended as you see fit. Please try to RSVP if possible so that we may grab enough seats for all—the venue can be busy at times. Feel free to message me privately wth any questions and/ or concerns you may have. Happy writing!

Discover Kiro, AWS’s innovative development environment that adapts to your workflow. Whether you prefer specification-driven development or a more intuitive, vibe-based approach, Kiro empowers you to build applications your way. In this session, speakers will explore Kiro’s core functionality and its evolution through re:Invent 2025, along with demonstrations of prompts used to create APIs, hooks, and steering documents. In the latter part of the session, watch as we build a complete example from scratch, showcasing Kiro’s agentic AI workflow in action for spec-driven development and vibe coding. What You'll Learn - Core Kiro concepts and development philosophy Feature evolution: pre and post re:Invent 2025 Practical examples: API creation, hooks, and steering docs Live coding demonstration with real-time problem solving Who Should Attend - Developers, solutions architects, and technical leaders interested in modern AWS development tools and AI-assisted coding workflows. **Speakers Bio:** Matthew Jorat: Matthew Jorat is a Customer Solutions Manager at AWS with nearly three decades of expertise in AI, cloud transformation, migration, modernization, IT, technology, and business. His career spans infrastructure engineer, solutions architect, security auditor, customer success director, support and services director, and operations officer. He was an early adopter of AWS services as a customer, and his current role at AWS uniquely blends his technical and business skills as he partners with executive teams to translate strategic priorities into measurable business outcomes through cloud adoption, AI implementation, and operational excellence. Matt leads end-to-end AI initiatives for enterprise customers, identifying high-impact use cases and maintaining relentless focus on measurable ROI. He holds eight AWS certifications and serves as Adjunct Professor at Franklin University teaching cloud computing and AWS architecture. His expertise encompasses GenAI, agentic AI systems, migration, modernization, and optimization strategies that drive transformation at scale. [https://www.linkedin.com/in/mattjorat/](https://www.linkedin.com/in/mattjorat/) Girish Bhatia: Girish Bhatia is a seasoned technology delivery leader with deep expertise in cross-domain program management. He holds multiple AWS certifications, including AWS Certified Solutions Architect – Associate, AWS Certified Developer – Associate, and AWS Generative AI Practitioner, and is also an AWS Community Builder. Girish brings over two decades of experience in the information technology industry. Throughout his career, Girish has led major technology-driven business transformation from modernizing on-premises applications to driving large-scale cloud migrations. His work includes API-based integration platforms, data-center and mainframe modernization, and enterprise cloud adoption initiatives. Based in Columbus, Ohio, Girish works at a tech-forward fintech company. He is passionate about AWS serverless architectures, Generative AI and emerging cloud technologies. An avid learner and builder, he continues to explore and apply the latest innovations in AWS to help organizations accelerate their digital transformation. https://www.linkedin.com/in/girishbhatia/[https://www.linkedin.com/in/girishbhatia/](https://www.linkedin.com/in/girishbhatia/) **THANK YOU** *Franklin University* for hosting our meetup! To learn more about *Franklin University*, please visit their website: https://www.franklin.edu/ **DIRECTIONS** Franklin University Fisher Hall 300 E. Main St, Columbus, OH 43215 Map: https://maps.app.goo.gl/jxjBA2hUmS5qrvhq8 Parking is FREE! Please park in Lot C in front of Fisher Hall. See attached map. NOTE: Map the address only. When mapping with Google Maps it may use the Fisher Hall at OSU, which is NOT correct. **Want to sponsor the pizza and/or bar tab?** Please contact me if you would like to sponsor this meetup's pizza and/or bar tab: angelo@mandato.com